Like millions of Indonesian female workers abroad, Mega Vristian, the author of “The Jade Bracelet”, works as a live-in maid, performing domestic and care work. Their labor is indispensable in the global/regional labor market, which is in need of cheap, young female workers. At work, they face various forms of exploitation. It is this experience of inhuman working conditions that encourages some of them to take up a pen to tell and share their stories—sometimes in the form of a short story like this one.
Category Archive: Excerpts
Excerpted from Sell Your Bones, a new collection of poetry by Reid Mitchell (PalmArtPress, Berlin, February 2019). Reprinted with permission.
The vast majority of silverware in Thailand does not possess any reign or maker’s mark or other indicator as to date or place of manufacture. Most of the marks found are Chinese “chop marks”, stamped onto the underside of the silver object, perhaps with the aim of validating authenticity. Sometimes, the Chinese characters were transliterated into Thai from the Chaozhou dialect although this never became common practice.
The Best Hotel in Hong Kong: an excerpt from “Old Hong Kong Photos and the Tales They Tell” (Vol. 2)
This photo shows the view looking south along Pedder Street, across its junction with Des Voeux Road and Chater Road. It was sold as a postcard, and its title comes from this pencil note on the back.
The first time I set foot in the war zone, a Ukrainian soldier chastely kissed my cheek before confiding he was excited to tell his mother that he had kissed a Frenchwoman. A few minutes later, just beside me, his fellow soldiers were perched on a tank, firing shots in the air to disperse residents who were opposed to their presence. The ringing from the shots caused me to lose hearing in one ear for a full 24 hours.
Stories with a grand narrative can join the past and the future. They can motivate a community to believe and act. A good story can even persuade others that someone or something is special and, even though they may not have a direct stake in the outcome, they would nevertheless wish the protagonists well.
Apparently a good pun does not need to be explained. But this title is no joke. I like puns, and I like words, and many of them made their way to a stage as they developed through different phases in my life. Incidentally, I like Shakespeare too.
Detective Kar had slept badly. He had eaten nothing during the long hours of interrogation at the NIS headquarters and the raw beef at dinner hadn’t gone down well. His stomach was aching when he awoke. He didn’t feel like getting out of bed but the phone had been ringing off the hook.
When we had finished tea, we went down to the beach. My host untied an outrigger canoe and pushed it out into the shallows. I rolled up my trousers and followed him, my backpack on my back. I tossed the backpack into the boat and climbed in. Soon we were out in the bay, the sea floor falling rapidly away beneath us, the water sparkling and clear. We paddled away from the land, and then he turned the boat to the north, following the line of the coast. It was a beautiful day, and it felt good to be out on the water.
Jurrick Oson is a big man, forty-six years old, with muscles bulging inside his bright purple sleeveless T-shirt. He was raised to work around nets, fish, tides, and weather, and his skin is leathery from a lifetime at sea. His boat had always been moored at the end of a dirt track, with shacks and small stalls on one side and the gently lapping sea on the other. It was a colorful, chaotic old vessel, painted in yellows, greens and blues, and she plied her trade as such boats had done for thousands of years.
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