“If bears disappeared from this land,” writes Michio Hoshino in The Travelling Tree, “and we could sleep fearlessly in our camps at night, what a boring kind of nature it would be.” Mostly taking the author’s beloved Alaska as their topic, the short essays in this collection explore a human desire to reconnect with a…
Natsuo Kirino has a real gift for seeing the worst in people. Her characters cheat, steal, and murder with an apparent lack of remorse that makes them (one hopes) unrelatable for most, but they are at least sympathetic in being partially the result of their bleak environments. Kirino’s hopeless worlds of economic and social pressure…
In one story in Shusaku Endo’s Portraits of a Mother, the narrator lies in a hospital bed after a serious operation with the vague impression that his mother is holding his hand. He wakes to the realization that this was a dream and that the “gray shadow” of his mother is nothing more than a…
“I feel like there must be some way”, ends the title of one story in Tomoka Shibasaki’s A Hundred Years and a Day, “of visiting the places that exist only in people’s memories.” Each of the 34 fictional vignettes in this collection is a standalone slice-of-life that features a character, now advanced into middle-age, recollecting…
Seen through the lens of a career, Yukio Mishima is a difficult author to classify. In the introduction to this new collection of the author’s stories, Voices of the Fallen Heroes, Mishima biographer John Nathan notes that, by his death at the age of forty-five, Mishima had written dozens of novels, forty plays and 170…
That Kazushige Abe’s Mysterious Setting is difficult to read has nothing to do with the prose, which in Michael Emmerich’s translation is pacey and accessible, but is instead due to the novel’s relentlessly grim narrative. In a story replete with bullying, gaslighting and exploitation, the foreshadowing that often accompanies the end of a section becomes…
The diversification of Japanese Literature available in translation means that the release of a new novel by Haruki Murakami is not met with quite the fanfare it once was, but interest in movie adaptations of the author’s work is higher than ever. This is due at least in part to the enthusiasm with which critics…
There is a tendency with Osamu Dazai, who in his lifetime struggled with addiction and ultimately committed suicide, to focus on the more overwrought and confessional elements of his prose, hoping to find a mirror of the tragedy of his life in his writings. For his dedicated readers spanning the globe, the relatable elements of…
Despite being full of lively characters, the most vibrant personality in Atsuhiro Yoshida’s Goodnight Tokyo might be the city itself. Tokyo here is a fascinating hybrid gleaned from the novel’s ten individual perspectives, and the introduction of each new set of eyes reveals, piece by piece, a city that is as multifaceted as it is…
All three of the short pieces included in Asa: The Girl Who Turned into a Pair of Chopsticks by Akutagawa Prize-winning author Natsuko Imamura are stories of escalation—in each, the mundane finds itself quickly replaced by the tragically absurd.
Publisher Oxford University Press hails Activism and Post-activism as the first-ever English language work on the birth and development of South Korean nonfiction film. Drawing on more than 200 films and videos, Jihoon Kim’s trailblazing book charts the history of documentary filmmaking in the South from its early “activism” period in the 1980s to what…
In his Akutagawa Prize-winning Cannibals, Shinya Tanaka doesn’t shy away from dark topics, dealing with crippling poverty, violence and sexual abuse in an often matter-of-fact way. Perhaps the author’s candor is part of the reason that Cannibals (a literal translation of the original Tomogui, though the original has a secondary meaning of ‘mutual destruction’) received…