Printmaking was an art form that Japanese artists had excelled in the 18th and 19th centuries but which eventually experienced a decline in the 20th century. Yet, the early 20th century was a period in which Japanese arts in general underwent profound transformations with a growing familiarity with modern European art movements and modernism was certainly felt in the realm of printmaking. The shin hanga (“new prints”) movement reflects the syncretism of Western and traditional Japanese cultures as well as the influence of western codes on Japanese prints.
Nobel laureate Gao Xingjian presents his primary concerns of the past decade or so. He indicts the lingering impact of ideology on contemporary literature and art, and for this reason calls for “a new Renaissance”, a result of which would be “boundary-crossing creations” such as the three cine-poems that he produced and describes in detail in this book.
In his heyday in the years after World War Two, Italian-American composer Gian Carlo Menotti was arguably one of the most successful and popular opera composers of the time. He took advantage of the circumstances, writing works that could be performed both on the opera stage and Broadway. His “Christmas opera”, Amahl and the Night Visitors, was the first opera specifically composed for television, at least in United States, and was a staple of pre-Christmas television for many years.
Scholar and professor Joseph Sassoon was never interested in his family’s history until he received a letter ten years ago from another Joseph Sassoon. The name is not common and, sure enough, this other Joseph was a very distant relative who had come across an article by Professor Sassoon about authoritarian regimes. The two spoke on the phone, which sparked interest in the family and led to Professor Sassoon’s new book, The Sassoons: The Great Global Merchants and the Making of an Empire, a story of a refugee family that reinvented itself in India, China, and ultimately the United Kingdom, and one that sometimes takes on biblical dimensions.
In his new book, Uther Charlton-Stevens provides a rich history of the Anglo-Indian community, people of both Indian and British heritage, and explains why this small but important community deserves a greater focus. In this book he outlines the curious identity and relationship of Anglo-Indians with both the UK and India, and explains how they were “never simply the colonisers nor the colonised, but something in between”. Through this prism, he argues, we can re-analyse Indian history through a new vantage point and see how Anglo-Indians played a part in major events in Indian history. In his own words the book is “neither colonial apologia nor nationalist polemic”, rather an exploration of an often overlooked, but vitally important, community.
How does a pilot see the cities of the world? Unlike residents, who live there full-time, or tourists, who travel once and perhaps never again, pilots are brief, but regular visitors to the hubs of the world.
This study identifies the latent and emergent drivers behind the mounting acrimony in South Asia—notably, India’s ambitions as a “rising power” coupled with the resurgence of China and Pakistan’s strategic anxiety as the United States unmoors itself from Afghanistan and embraces India. India is similarly concerned as China advances its Belt and Road Initiative (BRI) across the region, developing a network of economic and strategic hubs and bringing India’s neighbors into China’s embrace through its strategy of peripheral diplomacy.
Long related orally, the Sanskrit epic Mahabharata is believed to have been composed in written form between 300 BCE and 300 CE, the epic narrates the tale of greed and compassion between two clans, the Kauravas and the Pandavas, and has life lessons that transcend any particular civilization. The family feud over a kingdom speaks of sacrifice, love, lust, and enmity.
Osamu Dazai is one of Japan’s most celebrated modern writers. He was born in 1909, at the end of Japan’s era of rapid modernization known as the Meiji Period. He began writing as a high school student, moved by the suicide of the great Japanese short story writer, Ryonosuke Akutagawa in 1927.
Although the Long March, the Communist Red Army’s year-long retreat in 1934 and 1935 to evade the Nationalist Army, is one of the most dramatic events of 20th-century Chinese history, it seems to have featured less as a setting for recent novels than the Cultural Revolution.
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