Teenager Benny Oh has just lost his father, a Japanese-American jazz clarinetist. His mother, Annabelle, too, struggles with her grief. As a few years pass, Annabelle lets their home fill with the clutter of things she thinks will fill the emptiness her husband left behind. It is surely never comfortable to live with someone who hoards, but Benny’s situation is complicated: he can hear the voices of material objects.

In 2015, the  Paris Climate Agreement hinged on a recalcitrant India. Prime Minister Modi knew that restricting coal could imperil the promises he’d made to the 300 million Indians still living without electricity. Nonetheless, he assented to the Agreement after a meeting with US President Barack Obama. Modi wasn’t won over with arguments over climate models, green energy, or ethics. Rather, Obama offered Modi a narrative that tied his personal experience to India’s colonial history: “Look, you know, I get it. I’m black, I’m African American. I know what it’s like to be in an unfair system where a bunch of people got rich on your back… but I also have to live in the world that I’m in, and if I just made decisions based on that resentment, then I actually would never catch up.” 

In late 1974, the thirty-four-year-old Bruce Chatwin departed New York to begin a journey through Patagonia. He was engaged upon a postmodern quest: a voyage to a place tellingly named “Last Hope Sound”, where, he hoped, he would find some last remaining relics of the long-extinct Mylodon, or Giant Sloth. Inside his grandmother’s Victorian house in Birmingham had been a “cabinet of curiosities”; of its many treasures, a small, bristly piece of Patagonian Mylodon skin—said to be Brontosaurus, and sent from South America by a distant cousin—was that which most fascinated the young Bruce, who “set it at the center of my childhood bestiary.”

When Kat Chow was a girl, her mother once joked about being preserved by taxidermy after she dies so that her family will still have her around. Not long after, she succumbs to cancer, leaving grief in her wake. Grief pervades the immigrant story of Kat Chow’s new memoir, Seeing Ghosts. Although most of the book takes place in Connecticut, where Chow was born and raised, her story reaches back to Southern China, Hong Kong, and Cuba.

One would think that comparing civilizations as far removed in time and space as Ancient Egypt and Ancient China might not reveal much. Yet Professor Tony Barbieri’s Ancient Egypt and Early China: State, Society, and Culture gleans much from a deeply-researched comparison of political structures, diplomatic relations, legal systems, ideas of the afterlife, and other aspects.

 The Art of Useless Fashion, Media, and Consumer Culture in Contemporary China, Calvin Hui (Columbia University Press, September 2021)

The Art of Useless Fashion: Media, and Consumer Culture in Contemporary China
, Calvin Hui (Columbia University Press, September 2021)

Since embarking on economic reforms in 1978, the People’s Republic of China has also undergone a sweeping cultural reorganization, from proletarian culture under Mao to middle-class consumer culture today. Under these circumstances, how has a Chinese middle class come into being, and how has consumerism become the dominant ideology of an avowedly socialist country?

The unnamed narrator of Yan Ge’s novel Strange Beasts of China, a former zoology student-turned-fiction writer, resides in the fictional city of Yong’an, somewhere in southern China, described as “a huge, filthy, ungovernable city, full of all sorts of beasts of unknown origin, and secrets, likewise.” Yong’an perhaps resembles the concrete jungles of nearly every provincial Chinese capital, save for the fact that it is also home to a number of exotic creatures, each species of which resembles homo sapiens, save for certain afflictions and anomalies.