Our understanding of civil war is shot through with the spectre of quagmire, a situation that traps belligerents, compounding and entrenching war’s dangers. Despite the subject’s importance, its causes are obscure. A pervasive “folk” notion that quagmire is intrinsic to certain countries or wars has foreclosed inquiry, and scholarship has failed to identify quagmire as an object of study in its own right.
A House is a Body is the first book-length outing for two-time O Henry Award-winner Shruti Swamy. Most of the stories have been published separately before in such journals as The Paris Review, but they take on a particular strength when arranged together in a collection. Some take place in India, others in the West, but the power of the book rests in those stories that subtly show how women have traditionally not been recognized for the nurturing roles they take up.
Naguib Mahfouz was familiar to newspaper readers across Egypt for his column in the leading daily Al-Ahram, in which he reflected on issues of the day, from domestic and international events, politics and economics to culture. This volume brings together his articles written between January 1989 and the knife attack in October 1994 that almost ended his life.
Is it possible to capture the essence of a city as large as Tokyo in a single book? Debut author Nick Bradley pretty much manages exactly that with this exceptional collection of intricately connected short stories.
“As soon as he took his first spear, he writhed in pain. Leaking urine and making a miserable spectacle, he took nine spears.” The gruesome and cruel execution of one Heizō Takamiya described here took place in Osaka in 1829; the unfortunate Heizō was accompanied by five other people, one a woman (Toyoda Mitsugi) and four others who were already dead and had been pickled in salt so that their remains could be symbolically crucified and methodically stabbed with spears as a form of humiliation.
Swati is the last person Rachel Meyer expects to find at her front door in Mumbai. Swati is also the last person Rachel’s husband, Dhruv, expects to find at home after work one day. Swati, a native of Kolkata, is Dhruv’s mother and Rachel’s mother-in-law, and she’s moving in. So starts Leah Franqui’s novel, Mother Land, a story of trying to find oneself in another country and placing the success of that on another person.
The ‘Other’ Shangri-La is a work of narrative non-fiction based on Shivaji Das and his wife’s journey through the Sino-Tibetan frontier land of western Sichuan. It describes the rugged landscape of this region that comprises 7,000-metre-high mountains, deep gorges, vast grasslands and the world’s most dangerous roads.
Indian history has two “great” emperors: Ashoka of the ancient Mauryan dynasty and Akbar, one of the Mughals. Ira Mukhoty’s biography of the latter, Akbar: The Great Mughal, is a comprehensive yet simple account of the emperor’s life, one that will be of great help to readers wanting to understand more about the king while also familiarizing themselves with the how he has been represented in books, biographies, and popular culture since his time.
Chinese remains inaccessible to most English-speakers; Chinese poetry doubly so, so Western readers should be grateful to Zephyr Press for issuing these two excellent bilingual versions of contemporary Chinese poetry, which introduce us to two unfamiliar and very different voices, Ya Shi from the mainland, and Wu Sheng from Taiwan.
A compilation of reviews and other coverage in the past twelve months for Women in Translation month (August 2020): by author, translator and language. Click on the “link” symbol over each cover for the review, author, translator and publisher information.
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