The modern classics of Southeast Asian literature, with the singular exception of Pramoedya Ananta Toer, largely remain a blank spot on the English-language literary map. Thank goodness, then, that Penguin Southeast Asia has in recent years published translations from, for example, Vietnamese and Tagalog; Pauline Fan’s recent translation of a collection of Malay short fiction by the iconic writer Fatimah Busu is a welcome addition.
Misery Beneath the Miracle in East Asia challenges prevailing views of the East Asian economic miracle. Existing scholarship has overlooked the severity, persistence, and harmful consequences of the social-welfare crises affecting the region. Arvid J Lukauskas and Yumiko Shimabukuro fill this gap and put a major asterisk on East Asia’s economic record.
When defenders of the British royal family scrounged around for dirt on Wallis Simpson, the divorced US-born fiancée of King Edward VIII, they often highlighted her year spent in China—often sharing scurrilous, and poorly-sourced, if not entirely unfounded, details of her time there.
Sunny Seki opens his new children’s book, Hokusai’s Daughter, with Hokusai, the famous painter and printmaker from the Edo period, walking alongside his young daughter.
Hong Kong rounded out the Puccini centenary year with Musica Viva’s new production of Il Trittico (“The Triptych”), a trio of one-act operas. Each is sufficient in itself, yet the whole magically becomes greater than the sum of its parts. Il tabarro (“The Cloak”) leads off with tragic melodrama, Suor Angelica is both spiritual and a tear-jerker, while Gianni Schicchi is Puccini’s sole foray into comic opera buffa.
Sujit Saraf has set his new novel in the Andaman islands, located in the Indian Ocean, far from the Indian mainland, geographically but also culturally. Island’s protagonist, Nirmal Chandra Mattoo is a middle-aged man, working in a shop in the capital, Port Blair, selling counterfeit tribal artwork to tourists.
The diversification of Japanese Literature available in translation means that the release of a new novel by Haruki Murakami is not met with quite the fanfare it once was, but interest in movie adaptations of the author’s work is higher than ever. This is due at least in part to the enthusiasm with which critics have greeted recent adaptations, with Lee Chang Dong’s Burning winning the FIPRESCI Prize at Cannes in 2018, and Ryusuke Hamaguchi’s Drive My Car taking Best International Picture at the 2021 Academy Awards. Following this success is renewed academic focus on movies based on Murakami’s work, with Marc Yamada’s newly-released Murakami Haruki on Film providing the first English-language overview of the author’s cinematic adaptations.
Books can be the subjects of podcasts, podcasts can spawn books, but only rarely does a podcast itself rise to be a possible stand-in for a book. Paul Cooper’s recent two-part podcast “The Mongols: Terror of the Steppe” is one of these.
Majapahit was Indonesia, and Southeast Asia’s, largest empire. Centered on the island of Java, Majapahit commanded loyalty from vassals across the archipelago: on Sumatra, Borneo, Sulawesi, and even the Malay Peninsula, including a tiny village called Tumasik—known today as Singapore. The empire lasted for around 230 years, from its founding in 1292 to its fall to the Sultanate of Demak in 1527.
As an award-winning novelist, Jeet Thayil may need little introduction, but given that I’ll Have It Here is his first collection in a decade and a half, some readers may need some reminding that he is also an accomplished poet.
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