Examining the omnipresence of grief and revolution in South Korea for women and the queer community, as well as the whole nation after the sinking of the MV Sewol in April 2014, Hwang Jungeun’s dd’s Umbrella presents twin novellas from the perspective of two distinct narrators.
On a sunny day, a young girl skips in the courtyard of her home in Iron Gate Hutong. She’s alone, but across the alley life is busy.
Nō drama, which integrates speech, song, dance, music, mask, and costume into a distinctive art form, is among Japan’s most revered cultural traditions. It gained popularity in the fourteenth century, when the actor and playwright Zeami (1363–1443) drew the favor of the shogun with his theatrical innovations. Nō’s intricacies and highly stylized conventions continue to attract Japanese and Western appreciation, and a repertoire of some 250 plays is performed today.
Our journey toward having a true understanding of world history passes through Central Asia, the lands in-between the great civilizations of India, China and Iran. William H McNeil’s classic Rise of the West (1963) vividly illustrated the role of Central Asia as a gearbox whose spinning connected these civilizations and propelled history forward. One had to imagine these gears as some kind of Buddhist chakras. But history cannot be based only through metaphors. Someone has to do the spade work to ground the chakras in hard facts: the shards, fragments, bones and rags that archaeologists uncover.
The Glass Islands: A Year in Lombok chronicles Australian Mark Heyward’s triumphs and struggles in building a house on the Indonesian island directly east of Bali. The idea behind the title is that the islands of Indonesia are opaque and don’t reveal their troubled histories apart from in the odd transparent, or glass-like, moment.
In 1975, journalist Ian Gill met up with his mother Billie in Hong Kong. He flew in from his home in New Zealand while she came from her home in Geneva. They hadn’t seen each other in a few years and Ian thought it would be just a chance to catch up with his mother. He had never visited Hong Kong and Billie hadn’t been back since World War II. Instead of a quiet holiday, Billie started introducing Ian to her old friends, friends she had known during the War. Ian knew very little about his mother’s years in China and Hong Kong, and what he began learning on that trip started to seem worthy of a book. And, as he would find, Billie and the people she knew in Shanghai and Hong Kong have already been the subject of a number of books. Now almost fifty years after that initial introduction to his mother’s past, Gill has published a family memoir, Searching for Billie: A Journalist’s Quest to Understand His Mother’s Past Leads Him to Discover a Vanished China. It’s a fascinating look at his mother’s early years in Shanghai and Hong Kong, but it’s also a who’s who in Chinese and Hong Kong history.
Glynne Walley, translator of classic Japanese novel Hakkenden, joins us on the podcast again to talk about his second translated volume: Hakkenden, Part 2: His Master’s Blade. Unlike Part 1—which is all preamble!—in Part 2 we meet some of the fabled eight dog warriors and the Confucian virtues they represent: Shino, for filial piety; Gakuzo, for duty; Dosetsu, for loyalty. There’s betrayal, drama… and a lot of secret, intertwined family relationships.
This whip-smart, darkly funny, and biting debut follows a psychologist with a savior complex who offers shelter to a recently cancelled K-pop idol on the run. Sang Duri is the eldest member and “visual” of a Korean boy band at the apex of global superstardom. But when his latest solo single accidentally leads to controversy, he’s abruptly cancelled.
“Sometimes we have to retreat to return.” So says Iti, who is living in Gurgaon but is far from happy. A freelance editor, struggling to make it as an author, her life is a mess. Feeling lost and unsuccessful, particularly compared to her more successful classmates, who are rich and married while she lives alone consumed by a “pointless bitter anger, this bile that inhabits me.” As Iti spends each day looking at the WhatsApp chats of her former classmates, showing off their trappings of success, she comes to the conclusion that something has to change. Unable to bear the malaise of her life anymore, she flees Delhi for home. Home is a small village in Kumaon, nestled in the foothills of the Himalaya and the place where Iti had some of her happiest childhood memories.
Eric Arthur Blair once wrote that he was born into the “lower-upper-middle class”, having cachet but no capital. His father had been a sub-deputy opium agent in India, where Blair was born in 1903; his French mother was the daughter of a Burmese teak merchant.
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