In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.” But, as Michelle T King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food, the inverse—that Julia Child was the Fu Pei-Mei of French cuisine—might be more appropriate.
Alexander Grigorenko’s previous book Mebet, set among the Nenets people of the Siberian taiga, was such an unique literary experience that one could be forgiven for opening Ilget, the next book in the trilogy (a rather loose trilogy, it would appear), with some trepidation, anxious that it repeat or at least not surprise in same measure. But if anything, Ilget is better; although-steeped in mythology and the supernatural, as the people it writes about were and are, it feels more rooted in reality and rather than being fully immersed in magic-realism, only dips its toes in it.
This volume is a comprehensive and critical introduction to Subaltern Studies. It offers a detailed discussion of all major perspectives of the Subaltern Studies Collective and a panoramic view of the twelve volumes published by the Collective.
Riko, the first-person narrator of Hiromi Kawakami’s densely intertextual The Third Love, is a forty-year old woman in contemporary, Reiwa Era Japan recalling her life. Riko isn’t even two years old when she falls in love with her cousin, Naruya Harada (“Naa-chan”). It’s almost a fated love, and it has shaped the narrative of her life.
Part memoir, part documentary, and part travel reportage (in no clear proportion), publisher and bookseller Akshaya Bahibala’s debut book Bhang Journeys tells tales of malady and well-being, all tied to the same source: cannabis.
A 2016 Associated Press article entitled “S Korea covered up mass abuse, killings of ‘vagrants’” told the English-speaking world about one of the biggest human rights abuses in modern South Korean history. In the 1980s, in the run-up to the Seoul Olympics, President Chun Doo-hwan’s dictatorship intensified a crackdown on “undesirables”, rounding them up and “rehabilitating” them. At one of the largest rehabilitation centers, known as the Brothers Home, the rehabilitation in fact consisted of slave labour and institutionalized physical and psychological abuse. Sexual violence was especially prevalent.
In 2009, Fudan University launched China’s first MFA program in creative writing, spurring a wave of such programs in Chinese universities. Many of these programs’ founding members point to the Iowa Writers Workshop and, specifically, its International Writers Program, which invited dozens of Mainland Chinese writers to take part between 1979 and 2019, as their inspiration.
Jaime came home drunk once. I woke up from the maid’s knock on our bedroom door. She said my husband was in the living room. Jun had him lie down on the sofa. When I got downstairs, Jun explained that Jaime and his clients seemed to have had a drinking spree. That didn’t surprise me. It was for times like these that we hired Jun as a driver. Jun apologized as though it was his fault. He said he didn’t know that Jaime was going to get that wasted. Jaime had thrown up in the back of the car. ‘Do not worry,’ I told Jun, this happens just once in a while. Just a few times a year. Only when he gets together again with his clients.
Vikramjit Ram’s novella Mansur re-imagines life amongst artists working in the imperial atelier of Mughal India. The emperor Jahangir had a deep interest in flora and fauna and dispatched agents far and wide to acquire exotic creatures that may delight him. It was the imperial painter, Mansur who was credited with capturing the sensitivity of these creatures. Such was the admiration of his works that the title “Rarity of the Present” was bestowed upon Mansur by the emperor.
Thirty years ago, Nicholas Kristof and Sheryl WuDunn published their first book, China Wakes, to critical acclaim. The couple wrote of their five years reporting about China for The New York Times from 1988 to 1993. Other journalists reporting on China have followed suit and we’ve seen books by Jan Wong, Mike Chinoy, Frank Langfitt, Dori Jones Yang, Rob Schmitz, Lenora Chu, and Karoline Kan, among others. There is also the Peace Corps cohort of Peter Hessler and Michael Meyer, who went on to become journalists and write about China. These books have brought China to readers who are both familiar with the country and who are just starting to learn about it, and in most cases, these journalists chose to write about a certain city, region, or period.
You must be logged in to post a comment.