Mandy Moe Pwint Tu describes herself as “a pile of ginkgo leaves in a trench coat from Yangon, Myanmar”; it perhaps comes as no surprise that she is a poet. She is also one now firmly ensconced in American poetry circles and with an MFA under her belt. Fablemaker is her first full-length collection and includes poems from her earlier chapbooks.
In Mistress Koharu, a Hungarian love doll comes to life, turning heads as she stalks the streets of Tokyo, while the man who bought her—Akira—strings along two other relationships in a spectacular feat of multitasking greed that benefits no one, least of all him. Written in Japanese by Noboru Tsujihara and translated by Kalau Almony, the novel, leaning bizarre and absurdist, is still an insightful meditation on lust, power, and greed.
This book tells the inside story of how Singapore defied considerable odds to develop a dynamic economy and cohesive society in the 60 years since the city-state’s independence.
Through in-depth interviews with some of the nation’s most influential leaders—Abdullah Tarmugi, Chan Sek Keong, Cheong Koon Hean, Halimah Yacob, Peter Ho, Khaw Boon Wan, Lim Siong Guan, Ravi Menon, Seah Jiak Choo, Tan Yong Soon, Eddie Teo, Teo Ming Kian—How Singapore Beat the Odds explores various facets of public policy that shaped Singapore’s remarkable transformation.
Bornean-Australian novelist, playwright, poet, rapper and visual artist Omar Musa comes with a bit of a pedigree. His debut novel Here Come the Dogs was long-listed for the International Dublin Literary Award and for the Miles Franklin Award. He was named one of the Sydney Morning Herald’s Young Novelists of the Year in 2015.
Cities and villages are not binaries but exist on a continuum. In Reformatting Agrarian Pasts: Urban History from the Countryside in Colonial India, urban historian William J Glover traces the events and infrastructure projects that intertwine rural and urban spaces through specific administrative policies formulated and implemented by the British government. For Glover, the importance of this history lies in the way the interconnection has continued for contemporary India: India is no longer an agricultural economy the way it has traditionally been understood.
How do you tell the story of India—not just the modern-day country, but the whole region of South Asia, home to over two billion people?
Rosinka Chaudhuri’s latest work, India’s First Radicals: Young Bengal and the British Empire, is the first book-length study of the Young Bengal movement and the contribution of its members to the history of India’s anti-colonial struggle. In this book, Chaudhuri delves deep into their activism, examines their socio-political agenda and analyses the neglect and misrepresentation to which they were subjected by writers and historians.
Embedded within Indian ethos, caste is the idea that people (defined by their social positions) are of four types—scholarly-priestly (Brahmins), warriorhood (Kshatriyas), trade and commerce (Vaishyas), and menial jobs (Shudras)—and these are fixed by birth, with no class and social mobility available, especially to the last group. This is no abstract concept; it takes very real form in actual practices and institutions that continue to persist in present times. The so-called lower castes live a life of humiliation normalized with practices of bonded labour and untouchability.
Anyone who has enjoyed learning a second language knows how productive the exchange between a first and second language can be. Yoko Tawada has published fiction and nonfiction in Japanese and German and demonstrates this principle more than most, having moved to Germany as an adult in 1982. She positions herself not as an immigrant author, but as “exophonic”, referring more generally to “existing outside of one’s mother tongue.”
A collage of epigraphs make up the first few pages of The Elsewhereans. Each subsequent chapter is heralded by a series of locations, dates, photographs, and quotes—some perhaps falsified. Jeet Thayil’s newest work is exactly what its subtitle—“A Documentary Novel”—claims: a partially-fictional documentation of Thayil’s family history, recorded scrapbook-style in bits and pieces. Dedicated to his late mother, who passed away earlier this year, The Elsewhereans reads as an attempt to capture forever the spirits and lives of his family in a single fluid location, to bind them in the pages of a novel’s created home.
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