How did Tokyo—Japan’s capital, global city, tourist hotspot and financial center—get to where it is today? Tokyo—or then, Edo—had a rather unglamorous start, as a backwater on Japan’s eastern coast before Tokugawa decided to make it his de facto capital.
Chinese bronzes produced from the latter part of the Song dynasty (12th-13th century) through the end of the Qing dynasty (early 20th century) have long been underappreciated and under-researched. The Metropolitan Museum of Art’s fine catalogue, Recasting the Past: The Art of Chinese Bronzes, 1100-1900 (accompanying the exhibition of the same name running through September 2025), authored by the exhibition’s curator Pengliang Lu, goes a long way to changing this situation.
Though the Tamil freedom fighter and writer, CS Chellapa, was initially influenced by the energy and zeal of Bhagat Singh’s anarchical resistance to the British Empire, he grew increasingly enamoured by the non-violent, subtle resistance of Mahatma Gandhi. It’s a seismic shift from Singh to Gandhi, one that many in India adopted pre-independence. Yet it is precisely the tension between these two vastly different forms of resistance that forms much of the meat of Vaadivaasal: The Arena, a novella published in Tamil in 1949, now revitalised in graphic novel form under the careful script of Booker-nominated Perumal Murugan and the harsh, brutal illustrations of Appupen.
This epic story centres on an irresistible premise: is the main character “Her Royal Highness, The Begum of Oudh, Shehzadi Wilayat Mahal, Heir to the Last King of Oudh Begum Hazrat Mahal and Wajid Ali Shah” … or just plain old “Mrs Butt”? Satisfyingly, even the latter more prosaic option “Mrs Butt”—horse-loving wife of an academic—opens a Pandora’s box linked to the 1951 assassination of Liaquat Ali Khan, the first prime minister of Pakistan.
Nine years in the making, Jemimah Wei’s debut novel is a complicated story of two sisters who found and lost each other amidst the busy, urban, competitive island of Singapore. It provides a glimpse of Singapore without the glitz and glamour, a Singapore in which the expectation of excellence drives a wedge through even the strongest bonds of sisterhood.
Izumi lost her husband and her job. Now she spends her time doing craft projects like sewing handmade stuffed animals. She has come to realize that she spent 20 years acting the role of “successful woman”.
The Chao Phraya river, which runs through Bangkok, is the subject of Michael Hurley’s Waterways of Bangkok: Memories, Landscape and Twilights. An ethnographical study of the river, the book portrays not just the river itself, but Bangkok’s relationship with it. Split into five chapters—origins, loss, erasure, belonging and trajectory—the book argues that the Chao Phraya is not just a river, but rather the “binding thread of the Thai heartland, the realm of a traditional way of life, and also enshrined in the state-promoted Thai national story.”
In 2019, famed journalist and writer Aatish Taseer was thrown out of India. Soon after he wrote a cover article for Time calling Prime Minister Narendra Modi the country’s “divider in chief”, New Delhi decided to revoke his residency.
It never rains but it pours. From having no English translations of Akutagawa Prize-winning Rie Qudan, three of her novels have (or soon will have) become available in a matter of months, the first two—“Schoolgirl” and “Bad Music”—in a combined volume from Australian publisher Gazebo and Sympathy Tower Tokyo from Penguin in Britain and Summit in the US.
A deeply moving and often hilarious new novel by the author of The Wangs vs The World following a woman who becomes an internet folk hero in the most unexpected way, catapulting her into fame and influence just as she’s finally beginning to reckon with her complicated past.
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