What are the histories, constraints, and possibilities of language in relation to bodies, origins, land, colonialism, gender, war, displacement, desire, and migration? Moving across genres, memories, belongings, and borders, these luminous essays by poets, writers, and translators invite us to consider translation as a form of ethical and political love—one that requires attentive regard of an other—and a making and unmaking of self.
On the work’s 150th anniversary, Jacques Offenbach’s Pomme d’Api premiered in an extended version at the Guangzhou Opera House on 30 June 2023 as part of the Festival Croisements.
Jung-Myung Lee’s Painter of the Wind is set in Hanyang, as Seoul, the capital of the Joseon Dynasty in the late 18th century, was then known. The protagonists are fictionalized versions of Kim Hong-do and Shin Yun-bok, both real-life figures who are considered some of, if not the, finest painters of the Joseon Dynasty.
“China’s Hidden Century” at London’s British Museum features 300 exhibits that are drawn from a tumultuous period that led to the end of the Qing Dynasty. At its peak, the dynasty ruled over one-third of the entire world’s population.
“Humankind, I like to believe, can be divided into two groups: one group swears by science fiction, the other cherishes only mysteries. I belong to the latter.” Thus begins C. M. Naim’s homage to the writers who once provided generations of Urdu-speaking mystery-lovers hours of sleepless delight.
In an early story in Shubha Sunder’s debut collection, Boomtown Girl, the narrator states that her parents felt her younger brother “was old enough to deserve some independence”, yet the teenage brother finds trouble and lands in jail. This theme of independence forms the backbone of the nine stories in her book that mainly take place in 1990s Bangalore. Sunder is a captivating storyteller and with each story she shows that independence sometimes comes with a price.
Travelers to Turkey often return with a ceramic plate or tile as a souvenir of their sojourn, many of these have designs based on or inspired by the ceramics from Iznik (the ancient Nicaea, across the Marmara from Istanbul), a major center of production between the 15th and 17th centuries, a history probably unknown to most of the buyers.
Dear Chrysanthemums: A Novel in Stories jumps from character to character, location to location, time period to time period. Two cooks working for Madame Chiang-Kai Shek. A dancer, exiled to Shanghai’s Wukang Mansion. Three women, gathering in a French cathedral, finding strength in each other decades after the protests in Tiananmen.
Sex in the Land of Genghis Khan is a title and subject guaranteed to elicit curiosity. Mongols have not had the kind of study lavished on medieval, premodern, and modern European sex lives. This is the first sustained look at Mongol and Mongolian sexuality through history: a short, accessible but serious book, with a strong throughline and a sense of historical movement—in directions people might not expect.
Tackling one of today’s most emotive topics, gender transition, debut novelist Nicola Dinan delivers a keenly observed and unflinching examination of that journey and its emotional, social and physical consequences, both for the individual and the people close to them.
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