In 1960, the Soviet Union founded a university in Moscow—soon to be called the Patrice Lumumba University—with the aim of educating students from newly independent states, many of whom came from African countries. Now called the People’s Friendship University of Russia, the university has a famous list of alumni including former heads of state of Central American and African countries, among others. But the Soviet Union wasn’t the only socialist place to offer educational opportunities to students in the developing world. Cuba, China, and North Korea also did and it’s the last that forms the subject of Monica Macias’s new memoir, Black Girl From Pyongyang: In Search of My Identity.
Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centered not on essence but on absence. The difference between essence and absence is the difference between being and path, between dwelling and wandering.
Hospital by acclaimed Chinese science-fiction writer Han Song is a kafkaesque trip through a fictional hospital turned nation-state that explores the Buddhist philosophy on suffering, the nature of the doctor-patient relationship, and the mental state of patients who suffer from chronic conditions.
In 2010, Ping An took over Shenzhen Development Bank, ending an experiment that had never been tried before, and not been tried since: a foreign company owning and managing a Chinese bank. Newbridge Capital, a private equity firm, shocked the financial world when it agreed to take over the bank five years earlier—and successfully made it a pioneer.
The beaches of Tel Aviv are some of the most spectacular of any major world city. Sarit Yishai-Levi uses these beaches as a backdrop for her newest novel, The Woman Beyond the Sea, translated from Hebrew by Gilah Kahn-Hoffmann. And as the title implies, the water also serves as a boundary, specifically between three generations of mothers and daughters.
In Anarchy of the Body, art historian KuroDalaiJee sheds light on vital pieces of postwar Japanese avant-garde history by contextualizing the social, cultural, and political trajectories of artists across Japan in the 1960s. A culmination of years of research, Anarchy of the Body draws on an extensive breadth of source material to reveal how the practice of performance by individual artists and art groups during this period formed a legacy of resistance against institutionalization, both within the art world and more broadly in Japanese society.
With war comes much trauma, and America’s Asian wars had the additional consequence of Amerasian children—too often left behind by both parents—who more times than not ended up on the streets. There is a term in Vietnamese that translates to “children of the dust” and it’s this concept that drives the story and title of Nguyễn Phan Quế Mai’s second novel, Dust Child. Another recent novel, Skull Water by Heinz Insu Fenkl, also centers around biracial children with GI fathers and Asian mothers during the time of the Vietnam War.
On 1 January 2017, Daniel Bell was appointed dean of the School of Political Science and Public Administration at Shandong University—the first foreign dean of a political science faculty in mainland China’s history. In The Dean of Shandong, Bell chronicles his experiences as what he calls “a minor bureaucrat”, offering an inside account of the workings of Chinese academia and what they reveal about China’s political system. It wasn’t all smooth sailing—Bell wryly recounts sporadic bungles and misunderstandings—but Bell’s post as dean provides a unique vantage point on China today.
Philip Snow opens his engaging, and refreshingly straightforward, history of Sino-Russian relations with an observation born out ever more frequently in the opinion pages of current (at least English-language) newspapers: “Ever since they emerged from the rubble of the Second World War Western societies have looked with apprehension on either Russia, or China, or both.” Today, it’s fair to say, it’s probably “both”.
Intergenerational strife is the dominant flavor of this piquant collection of short stories by Anukrti Upadhyay, the award-winning author of Kintsugi.
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