“Staging for the Emperors: A History of Qing Court Theatre, 1683–1923” by Liana Chen
Scalpers worked overtime for New Yorkers eager to see Beijing Opera star Mei Lanfang perform during his one and only American tour in 1930. His “exquisite loveliness in pantomime and costume” must have seemed ineffably exotic to New Yorkers, unfamiliar with the codes of Chinese opera, or the art of female impersonators 旦(dan)like Mei. An…













