After the Myanmar coup last year, the country saw increasing rates of both censorship and persecution of dissidents. The relative access to and freedom of the Internet went into reverse. Born out of a desire to preserve the online voices of outrage, grief and dissent, editors Ko Ko Thett and Brian Haman assembled Picking Off New Shoots Will Not Stop the Spring, an anthology of poems and essays— both in English and translated from the original Burmese—that bear witness to the seismic changes in Burma/Myanmar’s politics.

In Burmese Haze (a reference to George Orwell’s classic novel), former US official Erin Murphy gives a personalized history of the past fifteen years of Myanmar history, with particular focus on, if not always from the perspective of, US policy towards this often opaque Southeast Asian country. Murphy was herself in the thick of it, either supporting US policymakers or, for the last decade, in the private sector working to assist US-Myanmar trade and investment relations.

Resource extraction has been integral to the economy of Myanmar’s borderlands for decades. One of the most valuable of these is jade, mined in northern Kachin state and then smuggled over the border into China. In Until the world shatters: truth lies and the looting of Myanmar, Daniel Combs depicts this extraction, the cost it imposes on civilians and the myriad of uneasy business relationships between parties nominally at war with each other.

Eleven-year-old Samira wants to show her family and the world what she can do: she can learn to read English, she can contribute to her family’s earnings and she can learn to surf. Forced to flee their village in Burma, Samira, her father, mother and older brother are Rohingya refugees living in Cox’s Bazar. Rukhsanna Guidroz’s Samira Surfs tells Samira’s story as the family rebuilds their lives in Bangladesh. 

Our Home in Myanmar: Four years in Yangon, Jessica Mudditt (March 2021)
Our Home in Myanmar: Four years in Yangon, Jessica Mudditt (March 2021)

Myanmar—shrouded in mystery, misunderstood and isolated for half a century. After a whirlwind romance in Bangladesh, Australian journalist Jessica Mudditt and her Bangladeshi husband Sherpa arrive in Yangon in 2012—just as the military junta is beginning to relax its ironclad grip on power.

Maung Shwe Yon was a highly acclaimed 19th-century master silversmith from Rangoon. Harry L Tilly, the aforementioned British expert on Burmese art, was effusive in his praise for Maung Shwe Yon. He described one of his pierced bowls as ‘the best example of this kind of work ever produced’ in his 1902 monograph, The Silverwork of Burma.

There is sometimes a feeling—it may even be a sort of implied ASEAN policy—that Southeast Asia will, or at least should, converge: that the countries of the region will develop economically and differentials in standards of living will lessen, that the military will ease itself out of politics, that civil society will strengthen. This has, if seen with a perspective of decades, been a trend largely born out if far from completed.