As Comet Hyakutake passes Earth in March 1996, four friends experience an array of puzzling events: the dead reappear and the living disappear. Daryl Qilin Yam’s Lovelier, Lonelier begins in Kyoto, where the paths of Isaac Neo, Tori Yamamoto, Jing Aw and Mateo Calvo Morales first intersect, and where the trajectory of their lives change after one weekend together. Divided into three parts to weave through different perspectives, years and cities including Kyoto, Madrid and Singapore, Yam presents a story of once-in-a-lifetime encounters, not just with the brightest and closest comet to approach Earth in 200 years, but also with people.
Singapore
Modern Singapore is the city in a garden, a biophilic and highly managed urban space that is home to a variety of animals, from mosquitoes to humans to polar bears. How has this coexistence worked as we enter the Anthropocene? How have human-animal relationships shaped Singapore society—socially, economically, politically and environmentally—over the last half century?
The opening story of Eternal Summer of My Homeland, the debut story collection from Singaporean author Agnes Chew, is about grief. Hui Shan loses her mother right before the birth of her first child—and gradually cuts her father out of her life after he refuses to do the traditional things one does to commemorate the death of a family member. Until she learns what her father has actually been doing: Growing a garden, illegally, on Singaporean government land.
In a story in Agnes Chew’s impressive debut collection, Eternal Summer of My Homeland, a Singaporean woman named Nadine gets to know a German man and speaks to him about love, mortality, and philosophy. Mortality seems to be a theme throughout the collection of stories about regular people in Singapore. There’s nothing Crazy Rich about them, which perhaps is why they place so much thought on the decisions they make.
Rachel Heng writes in The Great Reclamation about the making of modern Singapore, a sweeping story with hints of magical realism. The book is substantial at 450 pages and spans a period of twenty-five years, but Heng’s writing is engaging from the beginning and it doesn’t take long for the story to pick up speed.
A Bad Girl’s Book of Animals was first published by Harcourt, Brace & World in 1969, when there were very few Asians with a poetry collection out in the US—and has now been put out again by Singaporean publisher Ethos with an excellent foreword by poet Tse Hao Guang.
Can anyone break into high society? From Cinderella, Eliza Doolittle and Jay Gatsby to Don Draper and Anna Sorokin, characters that can fool their way into the elite through their smarts, willpower and chutzpah help us pierce the pretensions of the rich.
Author Kyla Zhao got her start in publishing at the age of sixteen writing for the Singapore editions of prominent glossy magazines penning wedding articles for Harper’s Bazaar, then went on to Tatler and Vogue. She centers her debut novel, The Fraud Squad, in the world of Singapore glossies with a Pygmalion twist. The story is fun and while it could be tempting to compare it to Crazy Rich Asians or The Devil Wears Prada, Zhao’s novel distinctively stands on its own with its exploration of the role society magazines play in cities like Singapore and Hong Kong.
In early 1992, Singapore’s Prime Minister Lee Kuan Yew gave a public statement about the dark years of World War 2, namely that Korean comfort women kept Singapore women from suffering the same sexual slavery at the hands of the Japanese military. This one statement, as Nanyang Technological University professor Kevin Blackburn writes in his new book, The Comfort Women of Singapore in History and Memory, was not only inaccurate but further cemented an unwelcoming environment for former Singapore comfort women to break their silence about the trauma they experienced during WW2.
Shawn Hoo’s debut poetry chapbook, Of the Florids, begins with an inability to speak of the natural world in the urban fortress of Singapore; a tropical island’s fading romanticism for a city boy.
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