The refugee is conventionally considered a powerless figure, eagerly cast aside by both migrant and host communities. In his book, The Refugee Aesthetic, Timothy August investigates how and why a number of Southeast Asian American artists and writers have recently embraced the figure of the refugee as a particularly transformative position.
What do you do with a gang of monks who have been condemned to death for immorality? If you are King Rama II of Siam (1809-24), you commute their sentences to hard labor, which consists of making them cut grass for your elephants every day. This is one example of the sometimes quirky humanity of the Chakri Dynasty, which, as royal houses go, is a relative newcomer, having been founded only in 1784.
Run Me to Earth opens in war-torn Laos in 1969. Three teens—Alisak, his friend Prany and Prany’s younger sister, Noi—freelance in a ruined French villa now serving as a makeshift hospital. They care for each other, ride motorcycles through obstacle courses of unexploded ordnance, and are looked after by, and look after, Vang, a young doctor who finds his own refuge in an abandoned piano and alcohol.
A rare and precious glimpse of pre-Khmer Rouge literature, Suon Sorin’s recently translated novel is set during Norodom Sihanouk’s Cambodia. Originally published in 1961, it harks back to the late colonial and post-colonial eras.
Drawing on examples from Myanmar, Thailand, Malaysia, Indonesia and the Philippines, the authors discuss some aspects of sound in relation to their ethnographic context.
Brian Eyler isn’t a fan of dams, perhaps any of them, but at least not those that are, or may be, on the Mekong.
What is the modern in Southeast Asia’s architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia’s modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power.
Malaysian-Chinese Yangsze Choo’s best-selling debut historical novel, The Ghost Bride was set in late 19th century Malaya with an immediately compelling premise: a young Chinese girl in is married off to a ghost.
The concept of “soft power”, popularized by Harvard’s Joseph Nye, has always seemed artificial. Power as wielded by nations is not neatly divisible into “hard” and “soft” categories. The great realist philosopher of power Hans Morgenthau identified the elements of national power as geography, natural resources, industrial capacity, population, military preparedness, national morale, the quality of government, and the quality of diplomacy.
This latest volume in the Series on Contemporary China published by World Scientific looks at the historical, geopolitical, and legal aspects of the ongoing disputes over the South China Sea and its islands, reefs, and rocks. Edited by Tsu-sung Hsieh, a retired Taiwanese navy captain and professor at the Ming Chuan University School of Law in Taipei, the book is composed of papers presented at the 2017 South China Sea Conference by scholars from Taiwan, China, the Philippines, and the United States.
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