Yumiko Kurahashi (1935-2005) is celebrated as a pivotal female writer in Japan’s growing post-war break with literary tradition. Informed by European writers and philosophers of the 1950s and 1960s, “third wave” writers in post-war Japan—Kobo Abe, Kenzaburo Oe, Minako Oba, Meiko Kanai and dozens of others labeled experimentalists, avant-garde, and absurdists—were interested in the metaphysical,…
Zhang Guixing’s Elephant Herd is as complicated and teeming as the rain forest in which it is set. Within this rich natural environment is a family drama, a political drama, and what amounts to a coming-of-age novel in an incredibly violent, and seemingly amoral, world.
The City and Its Uncertain Walls is Haruki Murakami’s fifteenth novel since his first, Hear the Wind Sing, published in 1979. His most recent is unmistakeably his, unmistakeably an addition to his body of work and his own special brand of magic realism as practiced by the South American writers Jorges Luis Borges, Julio Cortazar,…
In an interview subsequent to the publication of the translation into English of Thuận’s novel, Chinatown, interviewer Phuong Anh observes that the author’s main characters are searching for an answer to a question that ultimately drives that novel.
Over the course of thirty-seven fragments, an elderly man coming to an understanding of his world tells the “story” of his village: chronicles of a village serves as an indictment of History for what it leaves out. The narrator often offers a curiously romantic view of a pastoral world that is being overtaken by the…
“Perhaps you could call it a stroke of karmic good fortune that I was able to experience a once-in-a-century flood only three and a half months after moving to Chennai.” So opens Yūka Ishii’s The Mud of a Century, winner of the 2017 Akutagawa Prize. The novella’s narrator, a Japanese woman in her mid-late twenties,…
Siddhartha Deb’s The Light at the End of the World is a massive novel filled with conspiracies, uncertainty, madness and marvels, the inability to process the wide array of what is noticed and reported, and, indeed, what counts as reality. Here is the world, specifically India, except it isn’t. As one character responds in a…
Vasily Eroshenko was a transnational writer working in the early 20th century, writing in a variety of languages ranging from Japanese and Russian to Esperanto as he moved about Europe and Asia. He was born in Ukraine and lived, among other places, in Russia, England, Japan, Myanmar, India, China, and the Soviet Union. His writings…
Yoko Tawada is a compelling, prolific, and award-winning writer working in Japanese, German, and English. Three Streets is her most recent collection published in English, here not so much short stories as they are strolls through three streets in Berlin. Throughout her works, her narrators are often strangers in a strange land, living in between…
“My watch reads ten o’clock,” opens Thuan’s Chinatown, a novel that displays a writer in full play with language and story-telling. Her narrator begins a two-hour interior monologue that is the bulk of the novel. She is on a stopped train in the Métro in Paris. Her twelve-year-old son is asleep against her shoulder. An…
Dung Kai-cheung’s A Catalog of Such Stuff as Dreams Are Made On is an exercise in the influence of late-90s, mainly Japanese, popular culture on young women in end-of-the-century Hong Kong. The “catalog” consists of ninety-nine sketches, perhaps in an homage to Raymond Queneau’s Exercises in Style, where Queneau took an unremarkable short episode and…