Is it a commendation or criticism of the author or translators that one would never have imagined, had one not already known, that Keiichiro Hirano’s Eclipse was originally written in Japanese for a Japanese readership? Set in late 15th-century France and deeply permeated with Christian theology and late medieval philosophy, Eclipse evokes nothing as much as Umberto Eco. This is perhaps the literary equivalent of award-winning Japanese whiskey, an achievement—given the need for a specific literary idiom in English—that perhaps belongs as much to the translators Brent de Chene and Charles De Wolf as the author.
Author: Peter Gordon
The ever-increasing amount of Indian fiction appearing in English translation has been one of the most striking publishing phenomena of the past two decades. But Lakshmi’s Secret Diary comes to us not via Bengali, Hindi or Tamil, but French. That author Ari Gautier hails from Pondicherry, the capital of the erstwhile French territory in India, is part of the story; Gautier however was born in Antananarivo, Madagascar, to a Franco-Tamil father and a Malagasy mother. In Pondicherry, Gautier was educated at the Lycée Français and subsequently emigrated to France.
The recently-opened exhibition at Hong Kong’s Palace Museum, “The Origins of Chinese Civilisation”, has a serious purpose, but one suspects that most visitors focus on the objects, as well they might.
Bartle Bull’s objective in the very readable Land Between the Rivers is to demonstrate that the modern country of Iraq is not a mere colonial creation but rather has a historical reality going back millennia.
Back in the day, everyone went to China, some already famous—Charlie Chaplin, Marlene Dietrich, Eugene O’Neill, Langston Hughes, Mary Pickford—and some who later would be famous, such as Wallis Spencer, the woman who, a marriage or two later as Wallis Simpson, caused the King of England to abdicate. Her time in Shanghai was the subject of later scurrilous (and it would appear, entirely fabricated) rumors about pornographic photographs, bordellos and something called the “Shanghai grip” (best left to the imagination).
It perhaps takes the resources and curatorial talent of an institution the likes of the British Museum to remove the banality of an overused term like “The Silk Roads” (now obligatorily in the plural) and remind us what the fuss was all about.
In our book Painter and Patron, about the Códice Casanatense, an album of annotated Luso-Indian watercolors produced in Goa ca 1540, my co-author Juan José Morales and I noted that the both the paintings and annotations indicated both considerable and rather granular knowledge of the people and places all over Asia, Persia, Arabia and East Africa, as well as familiarity with descriptions in Portuguese sources as yet not formally published at the time. How this happened, we could only guess; Jorge Flores’s Empire of Contingency: How Portugal Entered the Indo-Persian World, although it deals with a period from a few decades to a century and a half later, helps explain what was going on.
Opera Hong Kong’s Turandot, the classic story of a Chinese ice princess melted by implacable love, debuted in a new atmospheric production by well-known Chinese Director Jia Ding at the Hong Kong Cultural Centre on 10 October 2024.
Pakistan’s politics is so complicated that it can be hard to determine either a trajectory or even a throughline. If Tahir Kamran’s enormously-detailed Chequered Past, Uncertain Future is any indication, this is not due to any failure of imagination. Kamran is focused mostly on the country’s often fraught relationship with democracy, but leaves one with much the same impression about foreign and domestic policy and issues of Pakistani identity.
Electrification is likely not the first thing that comes to mind when reflecting, as it were, on Hong Kong. But in Let There Be Light, a history of China Light & Power (CLP), Mark Clifford convincingly makes the case for the centrality of electricity in the Hong Kong story. Electricity not only made Hong Kong’s success possible, but it also serves as an illuminating prism through which to look at and rethink much conventional wisdom about Hong Kong. Intertwined with this narrative of political and economic development is the larger-than-life persona of Lawrence Kadoorie, who headed CLP for five decades.
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