After a yoga retreat from hell somewhere between Shenzhen and Dongguan, twenty-year-old Tiller Bardmon meets single mother Val and her eight-year old son, Victor Jr at the Hong Kong International Airport’s food court. Val and her son are returning to the United States after visiting her family in Kowloon, yet when she tries to pay for their food she finds her credit cards don’t work and she has no cash. Tiller spots them the money and Val whisks him away to an empty table, confiding in him before he can tuck into his xiaolongbao.

The gold of the Scythians exploded into the world of museum goers when Leningrad’s Hermitage Museum sent these treasures touring to London and New York in 1975. An equally noteworthy exhibition, Masters of the Steppe, took place in 2017 at the British Museum. This copiously-illustrated volume enables readers to revisit that exhibition, and to ponder essays produced by 30 scholars from 12 countries. These essays appear, confusingly, in alphabetical order by author. It is best to start by reading the magistral concluding essay, and then return to the essays in the order they are discussed in the conclusion.

Once home to the cultured, artistic world of courtesans, Heera Mandi is now a crumbling red-light district in Lahore. Raina is a young tour guide committed to fighting the injustice and violence now endemic there. But she’s part of the world she’s fighting: her mother Jahaan-e-Rumi works there; her father, Sherji, manages her mother’s career and uses those earnings to run a fundamentalist madrassa.

Syed Masood’s The Bad Muslim Discount is named after the rationale the capricious landlord gives for allowing one of the main characters to live there; they meet in that run-down building nearly halfway through the novel, after they are propelled to life in the US. Surprisingly, it is not a love story, but rather gathers more and more interconnections as it proceeds. Anvar Faris is a clever Pakistani boy (the “bad Muslim”) who struggles against the expectations of his religious mother, and Safwa is a girl left to contend with her abusive father after her mother and brother die in Afghanistan.

In his perennially wonderful (if now dated—the abridged version was issued by its author in 1922 based on the 12-volume full one) Golden Bough: A Study in Magic and Religion, Sir James Frazer tells us that magic was the precursor to religion. Van Schaik uses Frazer’s analysis as an example of what has by now become the “conventional” view of the subject, although it refers largely to what Frazer called “sympathetic magic,” which van Schaik says “has dominated much of the discussion of magical practice” since the issue of The Golden Bough. It was “the first primitive stage in mankind’s attempt to understand and control the world,” as Sam van Schaik sums it up, or the belief “that things act on each other through a secret sympathy,” as Frazer himself put it.