Ann Shin, Canadian of Korean extraction, is perhaps best known as a filmmaker. My Enemy, My Brother, about two Iraqis on opposite sides of the conflict, was shortlisted for a 2016 Academy Award. Another was the well-received The Defector: Escape from North Korea. Shin has now turned her hand to fiction. Her debut novel The Last Exiles is, goes the blurb, “inspired by real stories”.

Many years ago a Parisian dance act from Pigalle received an invitation to play at a nightclub on Cairo’s Pyramid Road. Like “costumes” at the Crazy Horse today, the dancers’ body stockings left nothing to the imagination. The audience of worldly Cairiotes, the tarbouche-wearing musicians with their lutes and durabukas, the indefatigable army of busboys, gazed on this spectacle of female nubility with a mix of indifference and condescension.

Edward Rutherfurd is known for massive historical novels usually set in cities like New York, Paris and London. They dig deeply into a specific place and he focuses on a certain period. His latest is titled China and spans the last seventy years of the Qing Dynasty: which covers the Opium Wars, Taiping and Boxer Rebellions, and Pu Yi’s ascension to the throne as the last emperor.

If anyone thought Sei Shōnagon (ca 964-after 1027) was little more than a gossipy, snooty, disingenuously prim and sometimes acerbic observer of life at the effete Heian court of ancient Japan, here is a book to prove that notion completely wrong. Not only can her classic Pillow Book be read on several levels, but it has enjoyed a life of its own as different generations of readers interpret it and reimagine it.

Heaven is excruciating. Readers share viscerally in the protagonist’s victimization at the hands of sadistic bullies. Fans of Breasts and Eggs, Mieko Kawakami’s first novel published in English in 2020, might be expecting another women-centered narrative. Heaven is radically different. This time, an unnamed male narrator describes his appalling position in the social hierarchy of his junior high school.