Chinese remains inaccessible to most English-speakers; Chinese poetry doubly so, so Western readers should be grateful to Zephyr Press for issuing these two excellent bilingual versions of contemporary Chinese poetry, which introduce us to two unfamiliar and very different voices, Ya Shi from the mainland, and Wu Sheng from Taiwan.
Interrogating the complexities of love, history and the power of naming through refreshing experimentation in language and form, Flèche—winner of 2019 Costa Book Award for Poetry—is a significant and original contribution to Hong Kong poetry as well as to the current scene of British Asian diasporic voices.
Cambodian-American poet Monica Sok recalls transgeneration trauma in her debut collection, A Nail the Evening Hangs On. Born in Pennsylvania to parents who have sought refuge in the United States, Sok retraces the contours of a difficult and important conversation on identity. She succeeds in using her Americanness to question her sense of belonging in…
Adeeba Shahid Talukder, a translator of Persian and Urdu poetry into English, makes an audacious attempt to invoke the sensibility of the ghazal in her contemporary American verse. That a young, first-generation American writer can have such a feel for the ghazal is not a given, for the genre is full of traps, arising from…
Witty, energetic and uncompromising, the Indian-born, Manchester-based poet Reshma Ruia’s latest collection A Dinner Party in The Home Counties challenges contemporary social, racial and cultural divides. In this collection, the poet takes the reader on a vivid, multicultural journey filled with intriguing encounters and enigmatic characters.
The Tantra is an Indian esoteric doctrine of mysticism spanning Hinduism and Buddhism. It incorporates not just the spiritual but also the sexual ways of becoming one with the divine. While the Indian poets belonging to the devotional bhakti movement have written about the possibilities of the union with God with a hint of eroticism,…
“But what of returning?” The answer to that question is “not yet”, probably never for the long-term, although ambivalence and nostalgia prevails. The past, the cycle of life, life’s inevitable compromises, and that haunting question is deeply examined in this poetry collection by Jennifer Wong.
Rudyard Kipling’s 1888 short story “The Man Who Would Be King” (well-known thanks to the Sean Connery film by the same name) is about two English ex-army ruffians who want to become kings; they do indeed come to rule a kingdom in Afghanistan. Eventually, the two die when their “subjects” turn against them. Rishi Dastidar…
Indian poet-diplomat Abhay K is out with a larger collection of Indian poetry combining his earlier anthologies of a hundred poems each. The resulting book is The Bloomsbury Anthology of Great Indian Poems covering English poetry as well as English translations of poems written in 28 Indian languages.
“Dissatisfaction with the womanly rôle,” the psychologist Alfred Adler wrote in Understanding Human Nature (1927), “is … more evident among [women] who escape from life because of some so-called ‘higher reasons’. Nuns, or others who assume some occupation for which celibacy is an essential, are a case in point.” Adler, of course, was not judging…
Visceral and enigmatic, Ye Lijun’s collection translated by Fiona Sze-Lorrain reveals the intimate relationship between man and Nature. From home-brewed wine, Lake Huai to an intellectual’s return to her hometown, the poems in her first bilingual volume draw on the interaction between the environment and one’s internal states of being, reflecting on the seen and…
Serendipity, we may say, is a wonderful thing sometimes. Here are both a newly expanded edition of Hinton’s translation of Tu Fu’s poems, and at the same time his book about Tu Fu’s life as exemplified in an examination of some of these poems as they relate to the poet’s precipitous journey through life.
Although Aigerim Tazhi is Kazakh, she writes in Russian. “I live in Kazakhstan,” she is quoted in translator J Kates’s introductory essay as saying, but I was born in the Soviet era. We had a common country then, a common capital (Moscow), and the main language was Russian. Therefore, in school we were taught…
Anyone who has ever studied literature has probably come across the now rather hackneyed line by the American poet Archibald MacLeish (1892-1982), “A poem should not mean, but be.” Steven Carter, the Yamato Ichihashi Emeritus Professor of Japanese History and Civilization at Stanford University, notes that the Japanese poet Shōtetsu (1381-1459) expressed similar sentiments long…
Translating poetry gives rise to a number of problems which may not be present in prose. Poetic language is different from that of prose; it employs many more literary devices. Furthermore, its rhythms may be quite different or varied. Then there is the question of rendering form and meter, not to mention rhyme, if it’s…