“Vestida de Nit”: Sílvia Pérez Cruz at the Hong Kong Arts Festival
Literature comes in many forms; sometimes it is sung.

Literature comes in many forms; sometimes it is sung.

If it hadn’t been for Ezra Pound and a 20th-century literature course at university, I would never have heard of Li Bai, and even then I thought his name was Rihaku, because in 1915 Pound, who knew absolutely no Chinese at all, published a number of “translated” poems by Rihaku in a collection entitled Cathay.

How many readers of this book will have been subjected to teachers who made them write bad haiku in school? I count myself lucky to have attended a school where such torture didn’t take place, although I am assured that some students actually enjoy the exercise.

Book reviews on Indian fiction and non-fiction from 2018, covering history, literature, sociology, art, culture and international relations.

Ha Jin may be known for his award-winning fiction, in particular Waiting which won the National Book Award for Fiction (1999) and PEN/Faulkner Award for Fiction (2000), but his poetry collection is an ambitious and original volume that explores the irreplaceable significance of home, the honesty of writing, and the language for freedom.

The West tends to think and speak of ancient India as a spiritual lot, as a place and time which gives extraordinary importance to religion, and other dimensions of otherworldliness. The poet R Parthasarthy goes to the texts, different from the usual epics, that engage with love in all its corporeality.

Is poetry a potent enough protest to move the political needle? In other cultures—the Middle East comes to mind—poetry is fundamental. In a recent article in the BBC, somewhat controversially entitled “Why I became a jihadist poetry critic”, Elisabeth Kendall is quoted as “Anybody who’s spent time in the Middle East knows how important poetry…

The “thousand star hotel” of the title is a metaphor of the night sky, the roof of the homeless. Bao Phi’s prose poem attributes this to a self-deprecating Vietnamese joke. Who knows? It is just one of perhaps one thousand metaphors, images and turns of phrase that sparkle in this new collection.
Hong Kong Women in Publishing is an organization that promotes the status of women working in publishing and related fields and publishes an annual anthology of members’ writing and artwork. Imprint 16 is the latest volume in the series.

Beautifully poised and profound, Louder than Hearts, a collection by Lebanese-born poet Zeina Hashem Beck, articulates the reverberations of home, exile and family history in the 21st century from the perspective of an Arabic woman, feeling her otherness and connection with communities locally and abroad, and her empathy towards the homelessness suffered by the refugees.
From the gangplank of a pre-war steamship to the present, via the jazz underground of 1960s London, Hannah Lowe’s rewarding second collection revels in the company of an unlikely crew of voices and personalities. Chan takes its name from the poet’s father (nicknamed, in turn, after the Polish card magician Chan Canasta) but does not…

After the 2011 tsunami, TV commercials were, out of respect, replaced with public service messages. One was the following poem: If I say, “Let’s play?” you say, “Let’s play!” If I say, “Stupid!” you say, “Stupid!” If I say, “I don’t want to play anymore,” you say, “I don’t want to play anymore.” And…
When Fleurs de lettres approached me about interviewing Sarah Howe, winner of the 2015 TS Eliot-prize, I didn’t need to think twice about accepting the invitation. Before Howe won the prestigious award, I had already admired her work in the anthology Eight Hong Kong Poets (Chameleon Press, 2015) and a special issue of Law Text…

Reading and translating Taiwanese poet Ling Yu reminds me much of American writer, environmentalist, and activist Terry Tempest Williams’s wisdom: There is an art to writing, and it is not always disclosure. The act itself can be beautiful, revelatory, and private. In my opinion, Ling Yu’s poetry contains the above qualities: perhaps aware of how…