In The People’s Money, Chatham House’s Paola Subacchi discusses the internationalization, or relative lack thereof, of the renminbi. The subject can be rather like a room of mirrors if one does not follow developments in international currencies, but for those that do, the book serves as a clear overview of the history and the issues,…
For a book targeted at children, Division to Unification in Imperial China has a ponderous title. Parents and teachers might wish to cover this over with masking tape so that young readers instead concentrate on the handsome black, white and ochre illustration that otherwise adorns the cover.
An article in the most recent Economist was subtitled “China’s newest export hit is classical music” with a lede about the China Philharmonic Orchestra on tour in New York. Once, classical music generally travelled from the West to the rest. Now China is reversing the exchange, not merely performing Western classical music in China,…
Manila was not the best place to be on New Year’s Eve 1941. US General Douglas MacArthur had withdrawn to Corregidor and had declared Manila an “open city”, not that the Japanese forces—literally at the city gates and expected to enter the next morning—were paying much attention to that. But Melville Jacoby, a journalist for…
There may come a time when Asian-American writing loses its hyphen and becomes “American”. Ranbir Singh Sidhu’s debut novel Deep Singh Blue provides some indication that this point may be approaching.
Vladimir K Arsenyev was an army officer, explorer and writer active in Russia’s Far East in the waning years of the Romanov dynasty. His major claim to fame, outside Russia at any rate, is having introduced the world to the aboriginal hunter and trapper Dersu Uzala, who several decades later became the subject of an…
After the 2011 tsunami, TV commercials were, out of respect, replaced with public service messages. One was the following poem: If I say, “Let’s play?” you say, “Let’s play!” If I say, “Stupid!” you say, “Stupid!” If I say, “I don’t want to play anymore,” you say, “I don’t want to play anymore.” And…
Alfred A Yuson’s The Music Child was shortlisted for the 2008 Man Asian Literary Prize at a time when the prize was for unpublished manuscripts. Although the finished novel took the better part of a decade to finally emerge, The Music Child and the Mahjong Queen exemplifies the Prize’s objective of facilitating the publication of…
Those with an academic interest in Chinese literature are undoubtedly aware of the CT Hsia classic History of Modern Chinese Fiction which has just been reissued by the Chinese University Press. Those who aren’t might find the thought of a 600-page tome of literary criticism to be more than a little daunting; that would be…
Unlike his Malaysian-Chinese compatriots, Tash Aw and Tan Twan Eng who have become well-known for novels which fit pretty squarely into the English-language, Ng Kim Chew writes in Chinese from a base in Taiwan. Slow Boat to China is a collection of his short stories, the first book of his—as far as I can tell—to…
While translation, or the lack thereof, remains an item of often animated discussion in the world of books, it is less of an issue in film: books, you see, cannot be subtitled. So the Russian-Ukrainian film Battle for Sevastopol was able to make it to Hong Kong in just a year.
Princeton University, or at least the HR department, recently promulgated new policies discouraging if not quite banning such terms as “man made”, “manpower” and “man” (as a verb); these are to be replaced with such gender-neutral terms as “artificial” and “staff” (as noun and verb). “Workmanlike” is to become “skillful” (although they don’t seem exact…
In a corner of the Russian Far East, just across the Chinese border and wedged in between Heilongjiang’s upturned chin and lip, lies the Jewish Autonomous Oblast (Region) whose capital is Birobidzhan. The Oblast is somewhat larger than Israel, but with a fraction of the population: it peaked at 214,000 in the late 1980s, and…
No opera composer turned to William Shakespeare more often than Giuseppe Verdi, who composed three works, Macbeth, Otello and Falstaff, based on the Bard’s plays. But if it hadn’t been for the persistence of his publisher Ricordi and would-be librettist Arrigo Boito, Verdi might well have stopped at one. He had to be coaxed out…
One would think—what with this year being the 400th anniversary of the death of William Shakespeare—that a treatment of the playwright in China would be inevitable. And so it has proved: Nancy Pellegrini’s The People’s Bard has just been released as the latest Penguin China Special.