At the turn of the 17th century, Florentine Francesco Carletti left from Seville with his father Antonio for Cape Verde, where they were planning to buy slaves for resale in the Caribbean. He ended up in an almost decade-long circumnavigation of the world, the first private citizen to do so. His travels took him to…
There is, despite the title, very little that is Asian in Raffaele Danna’s new The Craft of Indo-Arabic Numerals. The subtitle—How Practical Arithmetic Shaped Commerce and Mathematics in Western Europe, 1200-1600—tells it all. However, the numerals themselves—concepts of great intellectual depth and practical value—came to the West from the Arabs, and originated in India (hence…
Those hoping that a book called Venice and the Mongols would be a deep-dive into everything Marco Polo will be disappointed, for that most celebrated of Venetians warrants only a single chapter. Authors Nicola Di Cosmo and Lorenzo Pubblici focus rather more on Venice’s forays—commercial and territorial—into the Black Sea, where they ran up against…
Those who know other volumes in the “History in Objects” series from Thames & Hudson and the British Museum will find much that is familiar in this latest one on Japan: a wide and often eclectic collection of objects well-displayed on pages balanced with bite-sized yet informative blocks of text.
Historians are usually loath to ask “what if?”, but in The War That Made the Middle East: World War I and the End of the Ottoman Empire, Georgetown’s Mustafa Aksakal gets close.
Painters, Ports, and Profits: Artists and the East India Company, 1750-1850 is the accompanying volume to an eponymous exhibition at the Yale Center for British Art which places painters, local and foreign, working in India and China in the context of the commercial and colonial operations of the East India Company.
The importance of archaeological developments can take a long time to register in the general public consciousness. This is perhaps because excavations take years, results are often published long after the work begins, the significance is not immediately apparent, or conclusions are denied when they run counter to conventional narratives. Keeladi, near Madurai, is a…
“The goal of this book”, writes Rian Thum in his introduction, “is to reach an understanding of Islamic Chinese history that makes the Muslims of China unsurprising, even ordinary.” The layman who has visited, say, Xi’an, might be surprised that this should be deemed necessary.
Due, one presumes, to the success of his first photo-album matching images of yesteryear with their current appearance, Macau-based photographer Gonçalo Lobo Pinheiro has returned with an encore.
Back in the (pre-EU) day, the American Government and US corporations would place Greece into a Middle Eastern or Near Eastern department; I seem to recall my 1980s-era employer doing so, to the (mild) annoyance of its Greek distributor. Europe was more tightly-defined in those days.
V Vinicchayakul, the pen-name of Vinita Diteeyont, is prolific by any measure, reportedly with more than one hundred novels under her belt, many adapted for television and film. Only a very few have made it into English; had not she been championed by translator Lucy Srisuphapreeda, perhaps none would have been.
That translator Dong Li calls Chinese poet Ye Hui “metaphysical” in his introduction to The Ruins—a characterisation repeated in the book’s marketing material—might seem challenging, but in the fact the poems, while not exactly straightforward or immediately obvious, are—for most part—eminently accessible and interesting.
In an epilogue to his new book Assassins and Templars, Steve Tibble says (or, perhaps, protests) that his book really has nothing to do with the video game “Assassin’s Creed”, that any similarity is not so much coincidence as common intellectual and cultural ancestry. Readers of a certain generation might entertain some skepticism, especially in…
Expat memoirs, even (or perhaps especially) of the East Asian variety, are a venerable genre. One suspects that even in the early days, what authors presented as new and exotic, probably wasn’t really. In these days of ubiquitous travel videos on YouTube, this is probably even more the case. As a result, such books need…
If one ever forgets what poetry is for, this newly-released collection is a reminder of its ability to renew, sooth and provoke. Mirror is a translation of a lengthy posthumous selection of Chinese poet Zhang Zao’s lifelong opus.