Expat memoirs, even (or perhaps especially) of the East Asian variety, are a venerable genre. One suspects that even in the early days, what authors presented as new and exotic, probably wasn’t really. In these days of ubiquitous travel videos on YouTube, this is probably even more the case. As a result, such books need…
If one ever forgets what poetry is for, this newly-released collection is a reminder of its ability to renew, sooth and provoke. Mirror is a translation of a lengthy posthumous selection of Chinese poet Zhang Zao’s lifelong opus.
Political memoirs or, worse, philosophical treatises by political leaders, are often books best avoided. Yet Anwar Ibrahim’s recent Rethinking Ourselves is nonetheless one the most erudite collection of essays out in this or any recent year.
Although no longer as true as it was, East Asian trade in the early-modern period is often presented from the perspective of one more Western nation or another: the Spain’s Manila Galleon trade, the Portuguese spice trade and unique base in Macau, the Dutch East India Company, and latterly, the British via Canton and Hong…
Prose poetry can be hard to get a handle on. It is literally oxymoronic, like “documentary fiction”; such terms are perhaps a recognition that most categories are really endpoints on a spectrum. As one now does in these situations, one asks AI, which unhelpfully replied: “Prose poetry is a hybrid literary form that adopts the…
Mesopotamia is having a moment. Moudhy Al-Rashid’s Between Two Rivers: Ancient Mesopotamia and the Birth of History, joins among others Land Between the Rivers: A 5,000-Year History of Iraq by Bartle Bull, The Center of the World: A Global History of the Persian Gulf from the Stone Age to the Present by Allen James Fromherz…
Mandy Moe Pwint Tu describes herself as “a pile of ginkgo leaves in a trench coat from Yangon, Myanmar”; it perhaps comes as no surprise that she is a poet. She is also one now firmly ensconced in American poetry circles and with an MFA under her belt. Fablemaker is her first full-length collection and…
It never rains but it pours. From having no English translations of Akutagawa Prize-winning Rie Qudan, three of her novels have (or soon will have) become available in a matter of months, the first two—“Schoolgirl” and “Bad Music”—in a combined volume from Australian publisher Gazebo and Sympathy Tower Tokyo from Penguin in Britain and Summit…
Nan Z Da has been teaching Shakespeare’s play King Lear, she says, for more than six years. One cannot help but envy her students.
The marketing blurb for Amitav Acharya’s most recent book From Southeast Asia to Indo-Pacific begins, rather portentiously, “Southeast Asia was created by geopolitics, and it might die with it.” The book itself, thank goodness, is a considerably more measured (and clearly-written) overview of how Southeast Asia and ASEAN came to be more or less synonymous…
The noun “Partition” (with a capital “P”) has, in South Asia and perhaps globally, come to mean the 1947 split of India and Pakistan, a climactic event that still roils, if not poison, domestic and international politics.
That Before Colonization can be read in several ways is to its favour, but also makes it hard to review. It takes aim at the way international relations (referred to by the field’s formal initials IR) has tended to go about its business; it is also a refreshingly straightforward discussion of, as in the subtitle,…
The new exhibit at Hong Kong’s Palace Museum is somewhat undersold by its title: “Wonders of Imperial Carpets”. There are indeed carpets—marvelous and quite extraordinary carpets—but the lesson of the exhibition—that of the two-way artistic and cultural influence between China and Islamic world—is mostly carried in the other exhibits, the bronzes, pottery, books, drawings and…
The star in Opera Hong Kong’s new production of Wolfgang Amadeus Mozart’s singspiel “The Magic Flute” is the staging. That is not to take anything away from the singing: Mexican tenor Andrés Moreno Garcia as Tamino, Americans John Chest and Sofia Troncoso (Papageno and Pamina) all sang credibly. Local soprano Rachel Kwok was a sparky…
Macau, to its understandable chagrin, often seems an afterthought: to Hong Kong which overtook it, to Canton when it came to China trade, to Manila and the eponymous galleons when it came to being an entrepôt of global status, in the history of Western colonialism and imperialism in East Asia generally and today when it…