As an award-winning novelist, Jeet Thayil may need little introduction, but given that I’ll Have It Here is his first collection in a decade and a half, some readers may need some reminding that he is also an accomplished poet.
Ruth Mandujano López starts her book Steamships across the Pacific with, as seems almost de rigueur now for almost any book about Latin American-Asian relations, with the history of the Manila Galleon, but for her, this is a point of comparison and departure.
Titles from the venerable Penguin Classics imprint are usually books one knows one should have read even if one hasn’t (yet): known unknowns, as the famous saying goes. Behind the Painting by Thai author Siburapha is, even for the well-read anglophone consumer of literature, likely to qualify as an unknown unknown. First published 1937, this…
Japanese woodblock prints of the 18th and 19th centuries are, one comes to realize, one of the earliest example of mass commercial art, at least purely secular art, and one that still resonates with modern sensibilities. As testament to their volume, Britain’s Victoria & Albert Museum has, quite literally, tens of thousands of prints, a…
Much has already been written about the Manila Galleon, the system of annual commercial sailings between Manila and Acapulco that dominated trans-Pacific trade for two and a half centuries from the latter part of the 16th-century until the early 19th, a development which is often taken to mark the beginning of “globalization”. Juan José Rivas…
At a time when much of what passes for international commentary has the depth and nuance of a tweet, Geoff Raby’s Great Game On is something of a relief. The former Australian Ambassador to China keeps his politics largely to himself, but doesn’t have much time for mainstream Western (read “American” for the most part)…
Is it a commendation or criticism of the author or translators that one would never have imagined, had one not already known, that Keiichiro Hirano’s Eclipse was originally written in Japanese for a Japanese readership? Set in late 15th-century France and deeply permeated with Christian theology and late medieval philosophy, Eclipse evokes nothing as much…
The ever-increasing amount of Indian fiction appearing in English translation has been one of the most striking publishing phenomena of the past two decades. But Lakshmi’s Secret Diary comes to us not via Bengali, Hindi or Tamil, but French. That author Ari Gautier hails from Pondicherry, the capital of the erstwhile French territory in India,…
The recently-opened exhibition at Hong Kong’s Palace Museum, “The Origins of Chinese Civilisation”, has a serious purpose, but one suspects that most visitors focus on the objects, as well they might.
Bartle Bull’s objective in the very readable Land Between the Rivers is to demonstrate that the modern country of Iraq is not a mere colonial creation but rather has a historical reality going back millennia.
Back in the day, everyone went to China, some already famous—Charlie Chaplin, Marlene Dietrich, Eugene O’Neill, Langston Hughes, Mary Pickford—and some who later would be famous, such as Wallis Spencer, the woman who, a marriage or two later as Wallis Simpson, caused the King of England to abdicate. Her time in Shanghai was the subject…
It perhaps takes the resources and curatorial talent of an institution the likes of the British Museum to remove the banality of an overused term like “The Silk Roads” (now obligatorily in the plural) and remind us what the fuss was all about.
In our book Painter and Patron, about the Códice Casanatense, an album of annotated Luso-Indian watercolors produced in Goa ca 1540, my co-author Juan José Morales and I noted that the both the paintings and annotations indicated both considerable and rather granular knowledge of the people and places all over Asia, Persia, Arabia and East…
Opera Hong Kong’s Turandot, the classic story of a Chinese ice princess melted by implacable love, debuted in a new atmospheric production by well-known Chinese Director Jia Ding at the Hong Kong Cultural Centre on 10 October 2024.
Pakistan’s politics is so complicated that it can be hard to determine either a trajectory or even a throughline. If Tahir Kamran’s enormously-detailed Chequered Past, Uncertain Future is any indication, this is not due to any failure of imagination. Kamran is focused mostly on the country’s often fraught relationship with democracy, but leaves one with…