An eye-opening and soul-nourishing journey through Chinese food around the world. From Cape Town, South Africa, to small-town Saskatchewan, family-run Chinese restaurants are global icons of immigration, community and delicious food. The cultural outposts of far-flung settlers, bringers of dim sum, Peking duck and creative culinary hybrids, Chinese restaurants are a microcosm of greater social forces. They are an insight into time, history, and place.
In early 1992, Singapore’s Prime Minister Lee Kuan Yew gave a public statement about the dark years of World War 2, namely that Korean comfort women kept Singapore women from suffering the same sexual slavery at the hands of the Japanese military. This one statement, as Nanyang Technological University professor Kevin Blackburn writes in his new book, The Comfort Women of Singapore in History and Memory, was not only inaccurate but further cemented an unwelcoming environment for former Singapore comfort women to break their silence about the trauma they experienced during WW2.
Seishu Hase’s The Boy and the Dog opens with Kazumasa Nakagasi. He finds an emaciated dog outside a convenience store. The dog is wearing a tag engraved with his name, Tamon, short for Tamonten. Tamonten is one of four guardian deities of Buddha’s realm. The dog Tamon becomes a guardian for the people he encounters on his five-year journey to find a person he dearly loves.
Ermanno Wolf-Ferrari is one of those composers who, like Leoncavallo and Mascagni, are pretty much mostly known for a single one-act opera. Wolf-Ferrari’s operas were phenomenally popular at the time, in the decade or so before WW1, but Il segreto di Susanna, which debuted in Munich in 1909, is the only one that still has regular outings and it seems to have been rediscovered in the past few years. The overture can appear as a stand-alone piece, and the aria “O gioia la nube leggera” is, or at least was, a not uncommon recital piece.
The first story in Jamil Jan Kochai’s newest collection has an interesting title and premise. “Playing Metal Gear Solid V: The Phantom Pain” leads The Haunting of Hajji Hotak and Other Stories. But what starts as a story of a young Afghan-American man buying the latest installment of the stealth video game becomes an exploration of Afghanistan, how its borne the brunt of generations of imperial and geopolitical conflict—and how that history is etched on its people.
The growth of markets and consumerism in China’s post-Mao era of political and economic reform is a story familiar to many. By contrast, the Mao period (1949-1976)—rightly framed as a time of scarcity—initially appears to have had little material culture to speak of. Yet people attributed great meaning to materials and objects often precisely because they were rare and difficult to obtain.
The protagonist of this book deserves to be much better known than he is. When we think of great early western scholars of Asia, Thomas Manning’s name does not come up in the same sentence as William Jones or Champollion. Yet Thomas Manning pursued fame with relentless self-confidence and energy. In the end, fame didn’t so much elude him as cease to interest him.
The narrator of Kim Hye-jin’s Concerning My Daughter believes that “some things aren’t spoken out loud.” As she ages, she doesn’t want to discuss the lack of facilities willing to care for the elderly. And as a mother, she doesn’t want to talk about her adult daughter, who doesn’t have stable employment and is involved in a long-term relationship with a woman. She keeps quiet, ignoring the messiness of reality and guarding these thoughts in her head.
Problems arising from the Internet are generally thought of in terms of misinformation, violation of privacy, addiction to gadgets, depression brought on by social media, and manipulation of personal data for advertising and political ends by the Big Tech. In Asia, these problems take on even graver proportions as governments play a greater role in regulating access to the content available on the web.
In Preeta Samarasan’s new novel, Tale of the Dreamer’s Son, the caretaker of a commune in Malaysia’s Cameron Highlands states that “some nations were sending people to outer space while our countrymen were busy butchering each other.” Mrs Arasu, the caretaker in question, was referring to the 1969 race riots in Malaysia, namely the May 13 Incident in which hundreds were killed, the majority of them ethnic Chinese. It’s this date that not only sets the tone for Samarasan’s novel, but also the 2010 award-winning Chinese-language The Age of Goodbyes by another Malaysian writer, Li Zi Shu, recently translated into English by YZ Chin, herself an author of some renown.
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