It probably goes without saying that there will be no solution to what has come to be called “climate change” without China’s active participation. (The same holds for the United States, but that’s another matter.) In their new book China Goes Green, Judith Shapiro and Li Yifei view China’s environmental policies and practices, both domestically and internationally, as—goes the subtitle—“Coercive Environmentalism for a Troubled Planet”.
Immerse yourself in an adventure to Kyrgyzstan seen through the eyes of a young Afghan.
In Crime, Justice and Punishment in Colonial Hong Kong, authors May Holdsworth and Christopher Munn use the intersection of the city’s former main police station, magistracy and jail—now the photogenic and commercial Tai Kwun—to tell a unique history of the city under British rule.
Michael Prior’s second poetry collection Burning Province opens with a stark image, one that speaks to the trauma and intergenerational memory that carries through the volume.
Taiwan in 100 Books is an accessible introduction to the history and culture of Taiwan through one hundred English-language books.
Dori Jones Yang moved to Hong Kong in 1982 to run the BusinessWeek bureau. She was just 27 and the first woman to hold that position. In her memoir, When the Red Gates Opened, Jones Yang tells how she covered China during Deng’s ascent soon after China and the United States restored relations.
Tragedy finds its ideal form when a good character is partially responsible for her own downfall, which should unfold with the slow and inexorable force of a moral sentencing. Or so said Aristotle. Likewise, an irresistible blend of pity, horror, and satisfaction emerges through each of Ha Seong-nan’s short stories in this new collection. Even if not all of Ha’s characters are “good”, they still prove to be pitifully wretched creatures.
One of the most fascinating and mysterious literary phenomena is the process by which one author, Shakespeare, Pushkin, Dante, or in this case, Hafez, comes to loom so high above all their talented and successful contemporaries. Most poetry lovers outside of Iran will not recognize the names of any of Hafez’s rivals and colleagues, and would be surprised to learn that they once enjoyed reputations equal to his.
Arrivals & Departures is Reena Kapoor’s debut poetry collection. This anthology takes readers on a journey through a multitude of places, time periods, and emotions, including the nostalgia of one’s homeland, the suffering and resilience of women who experienced India and Pakistan’s 1947 Partition, parenthood, and life’s other simple pleasure. Kapoor draws readers into new worlds with her words and allows them to find themselves within.
Sophia Chang is one of the most influential managers and producers in hip-hop music, yet few would recognize her name. The daughter of Korean immigrants, Chang grew up in an academic family in Vancouver. How did someone with such a presumably pre-determined path end up in New York’s hip-hop scene (and why have many of us remained oblivious of her until now)? Chang hints at part of the answer in the title of her new memoir, The Baddest Bitch in the Room.
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