Loosely inspired by Jane Austen’s Persuasion, Sonali Dev’s new book is enriched with culinary allusions, replete with the aromas of tea and spice and based in a modern South Asian family (of royal lineage), as was her prior Austen revamp.
When Excel Maxino turns ten, his mother, Maxima, takes him to Pier 39 in San Francisco, revealing a life-changing secret: She and Excel are TNT: tago ng tago, Tagalog for hiding and hiding. In his new novel, The Son of Good Fortune, Lysley Tenorio tells a captivating story of undocumented immigrants and their never-ending resolve to remain invisible so they aren’t found out.
Just around the corner from Rome’s Pantheon, on the Via di Sant’Ignazio, is the famed Biblioteca Casanatense. Among its precious books and manuscripts is an album of 76 striking watercolours made in Goa around 1540, the work of an anonymous Indian painter for an unknown Portuguese patron.
For my generation, born after the “Renovation” reform of Đổi Mới in 1986, “The War”—as most Vietnamese call what almost everyone else calls the Vietnam War—only exists in history books.
Eugenia Cheng, author of the cleverly-titled x + y: A Mathematician’s Manifesto for Rethinking Gender, is—goes Wikipedia—“a British mathematician, concert pianist, and an honorary fellow of pure mathematics at the University of Sheffield. Her mathematical interests include higher-dimensional category theory, and as a pianist she specialises in lieder and art song.” Her current gig is Scientist in Residence at the School of the Art Institute of Chicago. Even more daunting, her website features a stint on The Late Show with Stephen Colbert.
“The challenges faced by the Vietnamese people throughout history are as tall as the tallest mountains,” writes Nguyễn Phan Quế Mai in the first chapter of The Mountains Sing. This is no exaggeration: wars, famine and political revolution test her characters, various members of the extended Tran family, to the limit. This engrossing family saga, both Quế Mai’s debut novel and her first book in English, provides a fresh, and ultimately uplifting, perspective on the American-Vietnamese war.
When Mary Morris is awarded a sabbatical year from teaching at Sarah Lawrence College, she planned to travel with her husband and adult daughter. A travel writer and novelist, Morris enjoys nothing more than roaming around other countries. But then a freak accident on the ice rink shattered her ankle; her dreams of traveling for a year broke into as many pieces, too.
Diksha Basu’s Destination Wedding is a delightful comedy of manners, about relationships among an extended clan of Indian-American wedding-goers. Cast as a sort of Crazy Rich South Asians, the destination is Delhi. The wedding is that of Shefali and Pavan, a thoroughly-modern couple of rich kids with wacky families, whose wedding, unbeknownst to them, is the first ever staged by Bubbles Trivedi, their larger-than-life wedding planner.
Jeong You-jeong’s Seven Years of Darkness opens in 2011 with young Choi Sowon living in Lighthouse Village, South Korea. The place is so remote GPS can’t locate it and so out of date that the president of its youth-club is sixty-one years old.
Concerning education, Nietzsche asked, “How can the individual be integrated into the counterpoint of private and public culture; how can he both sing the melody and simultaneously make it the accompaniment?” At its core, this is the same question that Nonlocal explores.
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