For almost seven centuries, two powers dominated the region we now call the Middle East: Rome and Persia. From the west: The Roman Republic, later the Roman Empire, later the Byzantine Empire. From the East: The Parthian Empire, later replaced by the Sassanian Empire. The two ancient superpowers spent centuries fighting for influence, paying each other off, encouraging proxy fights in their neighbors, and seizing opportunities while the other was distracted with internal strife. The relationship culminates in an almost-three-decade long war that so exhausts the two powers that they both end up getting overrun by the Arabs years later.
Ancient History
Over the course of two centuries (between 133 BCE and 89 CE), China’s Han empire fought a series of conflicts with a confederation of nomadic steppe peoples known as Xiongnu. As Scott Forbes Crawford notes in his fast-moving, readable narrative history The Han-Xiongnu War, the Han and Xiongnu were east Asian “superpowers” whose struggle for power impacted smaller city-states, such as Yiwi, Loulan, Khotan, Yarkand, and Kashgar in what is now northern and western China. The Han empire brought to the conflict greater resources and organization, while the Xiongnu’s strengths were speed, mobility, and maneuverability. In the end, the Han’s superior numbers won out.
Coming to the end of its run, this exhibition of Bronze Age artifacts is well-named: “gaze” is about all one can do at objects for which there are few if any visual or artistic touch-points. No culture is entirely unique, but second-millennium BCE Sanxingdui comes as close as any. And without any written records, very little is known about the culture, the people of the Kingdom of Shu, the political entity to which these archaeological sites in Sichuan are believed to have belonged; “mysterious” is, for once, an apt description. There’s a lot of gazing; quite a lot of information; rather less understanding.
The venerable Charles Allen left perhaps his most contentious subject for his last (and posthumously-published) book. The Aryans: The Search for a People, a Place and a Myth is a wide-ranging discourse on history, science, archaeology, linguistics, the history of all four, interleaved with commentary on some two centuries of highly-objectionable politics and political discourse: he opens with a chapter titled: “The Rise and Fall of Superman: Aryanism and the Swastika”.
Narrative history at its best, Adrian Goldsworthy’s Rome and Persia is informative, readable, carefully sourced, and cautious in its judgments about events that occurred between 90 BCE and the 600s CE in the Mediterranean world, north Africa, and western Asia. It is also instructive about imperial rivalries, geopolitical competition, and human nature across the ages—including our present one.
The history of the Kushan Empire long remained shrouded in mystery. In the 19th century, Orientalist scholars in Calcutta deciphered the ancient Brahmi and Kharosthi scripts and used numismatic evidence to shed a first ray of light on the dynastic succession of the Kushans. Previously obscure and semi-legendary figures such as Vima Kadphises, Kanishka and Huvishka entered the annals of world history as rulers of an empire that stretched, in the first centuries CE, from Central Asia deep into the Indian subcontinent.
“In the early summer of 1819, a British hunting party was heading through thick jungle near Aurangabad when the tiger they were tracking disappeared into the chasm of a deep ravine.” With that romantic and somewhat Indiana Jones-like opening, William Dalrymple begins his Foreword to this new and updated edition of Benoy K Behl’s classic The Ajanta Caves: Ancient Buddhist Paintings of India.
The Book of Esther, one of the historical books in the Torah and the Old Testament, is known as a story of community, discrimination, and human ingenuity. It’s core to the Jewish holiday of Purim, with singing, feasting, and other merriment. And it’s unique as one of the few books in the Bible that doesn’t mention God. At all.
Iran is certainly enjoying a moment through a series of international exhibitions. In 2021, the V&A Museum had “Epic Iran” whose tickets sold out upon release. In Los Angeles, the Getty Villa had “Persia: Ancient Iran and the Classical World”. In 2023, the British Museum has now added, “Luxury and Power: Persia to Greece”.
On the Jewish festival of Purim, revelers are encouraged to get so drunk that they cannot distinguish between Mordechai and Haman, the hero and the villain of the Book of Esther. Sobriety is required to appreciate Llewellyn-Jones’s erudite and encyclopedic retelling of the story. By piling detail upon detail, Llewellyn-Jones brings to life the sumptuous feasts and intrigues of the court of Susa, the seat of Persia’s great kings. While a veritable renaissance in the study of ancient Persia has been going on for a while, this is the first time a scholar has used the Jewish Bible as a primary source. The Book of Esther is easily dismissed as a trite, orientalizing fairytale. What if it turns out the author wrote from direct experience of the great king’s court?
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