“Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters” by Angie Chau
Angie Chau’s discussion of five Chinese literary and visual artists who sojourned in Paris between (for the most part) the First and Second World War explores, in an academic way, the notion of “transposition”, a usage she has coined to describe how artists navigated the two environments—Chinese and French—they encountered and operated in. Non-academic readers…











