Larry Feign, a professional visual artist who made his living as a cartoonist for many years. has written a rather unusual book. The Village at the Centre of the World has no cartoons, but the format is not dissimilar in that the work consists of a set of captioned photos, where the captions are essays…
Oksana Dyka brought a powerful voice and stage presence to Opera Hong Kong’s new production of Puccini’s one full-length foray into melodrama which runs through 15 October at the Hong Kong Cultural Centre.
Teresa Teng was a beloved singer across the Chinese diaspora, enjoyed by millions around the world even if they didn’t speak Chinese. Pim Wangtechawat titles her debut novel, The Moon Represents My Heart, after one of Teng’s most famous songs and scatters Teng’s lyrics throughout her book, a story of time travel between Hong Kong…
Issues of identity take center stage in Mary Jean Chan’s new poetry collection Bright Fear. Chan’s poems deal with a variety of uncomfortable personal experiences: growing up queer in a Chinese household, dealing with racism and racial prejudice when moving to the United Kingdom, and grappling with learning—and then eventually writing in and making a…
Given the opera’s relative rarity, Musica Viva’s recent production of Wolfgang Amadeus Mozart’s La finta giardiniera must surely have been a premiere of some sort.
The legacy of the businessmen who built Hong Kong are all over the city. Bankers work in Chater House—named after Paul Chater, the Armenian businessman behind much of the city’s land reclamation (among many other things). The Kowloon Shangri-La Hotel sits along Mody Road, named after Hormusjee Naorojee Mody, a Parsi immigrant who helped found…
Baritone Isaac Droscha and soprano Vicki Wu sang a selection of Sergei Rachmaninoff songs—including the well-known (and wordless) “Vocalise” and “Ne poi, krasavitsa, pri mne” with text from Pushkin—at a concert in celebration of the 150th anniversary of the composer’s birth.
A comic opera double consisting of the Hong Kong premiere of George’s Bizet’s Le docteur Miracle and a new production Gaetano Donizetti’s Rita was presented by Opera Hong Kong in cooperation with HKUST on 15 May 2023 association with the French May Arts Festival.
The winner of Musica Viva’s 2018 inaugural Hong Kong International Operatic Singing Competition, Norwegian soprano Margrethe Fredheim, joined third place and audience prize winner, Chinese soprano Chen Yibao, in a return concert 17 June 2023 headlined by renowned Korean soprano Sumi Jo, who had been one of the competition’s judges.
Lily, living in London, receives a mysterious letter naming her in an inheritance from a stranger in Hong Kong. To claim it, she must travel to Hong Kong. Her older sister, Maya, has received the same letter but chooses to ignore it. A successful lawyer, Maya feels no connection to her mother’s birthplace and doesn’t…
Kit Fan’s latest poetry collection, The Ink Cloud Reader, hinges on anticipation of change. In “Cumulonimbus,” which opens the main section of the book, Fan compares the current state of his writing career to the moments before a thunderstorm breaks.
The first half of May was been a busy fortnight for opera in the Greater Bay Area. The renowned Chinese soprano He Hui sang her first Wagner role, Senta in Der fliegende Holländer, at the Guangzhou Opera House on 5 and 7 May, a dramatic move (literally and figuratively) away from the Verdi and Puccini…
There is nothing, really, in the title of Fortune’s Bazaar: The Making of Hong Kong to indicate that Vaudine England’s new history centers neither the British colonialists nor the (to a greater or less extent) native Chinese, but rather everyone else—Parsis, Armenians, Baghdadi Jews, Portuguese and Macanese and, in particular, “Eurasians” (a term which merits…
Il trovatore, Opera Hong Kong’s second production of the year so far, opened with a star-studded cast featuring soprano Martina Serafin as Leonora, tenor Marco Berti as the troubadour Manrico, baritone Simone Piazzola as the villainous Conte di Luna and mezzo-soprano Marianne Cornetti as Azucena, all performing in a simple yet elegant revolving set.
“Everybody has their own Hong Kong story,” begins the introduction to Don Mak’s Once Upon a Hong Kong. Over a series of 18 illustrations, Mak has the opportunity to tell his story. Mak takes readers on a journey through daily Hong Kong life—from Hong Kong Park to Temple Street to Lantau Island.