Hong Kong at the beginning of a new millennium—a teeming city where ritual, religion, the spirits of the dead and the spirit of enterprise meet and clash. For Reini “Kim” Kranich, a young German aid worker obsessed with death, Chinese underwear, Emily Dickinson and cockroaches, it’s a place of fragile hopes.
The name Taikoo—or Taigu in Mandarin—means “great and ancient” and was adopted by John Swire & Sons in China in the 19th century when the UK company was relatively new and still minor. Historian Robert Bickers’s latest book tells the story of how this Liverpool trading house that initially dealt in cotton, apples and turpentine…
“But what of returning?” The answer to that question is “not yet”, probably never for the long-term, although ambivalence and nostalgia prevails. The past, the cycle of life, life’s inevitable compromises, and that haunting question is deeply examined in this poetry collection by Jennifer Wong.
When Sophie Cairns’s parents announced they were leaving Hong Kong, where she was born and raised, she vowed to return. A teenager, biracial and fluent in Cantonese, she never felt like she belonged in the UK, and longed for the Hong Kong of her childhood.
Translating the poetic sentiments of imperial China is Xu’s prime concern. Embedded in his works are multiple references to literature, painting, calligraphy and religious art in classical China. By synthesising these ideas with those drawn from his vocabulary of Western shapes, Xu gives energy to traditional Chinese dress.
My books all begin with photos, photos from my collection that show Hong Kong in the late 19th and early 20th century. I choose each photo for the stories it has to tell—some obvious, others that need a closer look to uncover.
Chan Ho-kei has worked as a software engineer and video game designer, and his knowledge of the latest technology shines through in his new high-tech thriller, Second Sister, his second novel to be translated into English.
For those of us who live in Hong Kong, the past six-eight months have been a roller-coaster. The (it is almost now universally accepted) ill-advised extradition bill—the proximate cause of the discontent that has roiled the city—has been withdrawn, but too late to stem the tide of protest, which took on a momentum of its…
The first few weeks of January, falling as they do between the two New Years’, are culturally relatively quiet. The Hong Kong International Chamber Music Festival, now the Beare’s Premiere Music Festival, has long been one of the major events brightening this relatively uneventful period.
The 1980 death of Hong Kong police officer John MacLennan shook the territory and made international news, eventually driving the Hong Kong courts to decriminalize homosexuality in 1991.
Hong Kong Ballet’s annual Christmas production The Nutcracker has been a staple of the season since 2011.
Hong Kong’s year in books: fiction, film, politics, children’s books, photography, history, botany.
Between Opera Hong Kong, Musica Viva, the Hong Kong Arts Festival and the Italia Mia Festival, Hong Kong’s opera year began to fill out.
Cao Yu’s Thunderstorm, written in 1933 when he was just 23 while studying western theatre and arts at Qinghua University, was the first of his eight plays. Set in the feudal society of China in the 1920s, the tragedy follows the complicated love entanglements in (and within) the Zhou family. Thunderstorm made Cao’s name by…
If there is any work that typifies “Viennese operetta”—waltzes, romantic comedy, catchy tunes and a certain silliness—it is Franz Lehár’s The Merry Widow.