“The Merry Widow”, Hong Kong, December 2019
If there is any work that typifies “Viennese operetta”—waltzes, romantic comedy, catchy tunes and a certain silliness—it is Franz Lehár’s The Merry Widow.
If there is any work that typifies “Viennese operetta”—waltzes, romantic comedy, catchy tunes and a certain silliness—it is Franz Lehár’s The Merry Widow.
“Prima la musica” (“The music comes first”) once said opera composer Antonio Salieri (at least in the title to one of his operas). Perhaps as a consequence, opera has provided, once the words are dispensed with, other composers with marvelous opportunities for transcriptions and adaptions.
In Giovanni Battista Pergolesi’s 1733 comic opera La Serva Padrona (“The Maid Made Mistress”), a maid sets her sights on her boss, and through a combination of flirtatious behavior and well-meant duplicity, convinces him that he has really loved her all along. The work is small and intimate with a deceptive simplicity that belies the…
As part of the new Italia Mia festival and in a joint production of the Italian Cultural Institute and Opera Hong Kong, soprano Wang Bing Bing headlined an instrumental vocal and lyrical recital entitled “Passion of Italy”.
Giuseppe Verdi’s Rigoletto was plagued by politics at its inception. Based on Victor Hugo’s (banned) play Le roi s’amuse, about a licentious king, the opera required considerable negotiation with the imperial Austrian censors before it could be performed in Austrian-controlled Venice. The King was demoted to a Duke, and the action moved to medieval Mantua…
130 Years of Medicine in Hong Kong places particular focus on medical and financial factors. Each chapter begins with an abstract in the style of an academic paper and frequent subtitles help with the location of specific information. As Hong Kong has been heavily involved in a number of pandemic scares in the 21st century,…
The golden era of Hong Kong cinema—1980 through the mid-1990s—coincided with the peak of the Hong Kong horror genre. At first glance, Hong Kong horror movies might seem to reflect the industry’s—and territory’s—desire to make money at any cost. But the collection of a dozen essays in Hong Kong Horror Cinema show that this was…
Hong Kong’s Musica Viva has incrementally moved from one full opera production per year—in December—to two. If this recent production of Mozart’s comic masterpiece is any indication, the smaller production in late September featuring entirely local singers has, over the past couple of years, matured and is hitting its stride.

China’s Hong Kong has the rare privilege of being a book made extremely timely due to current events. The anti-extradition bill protests that have raged for months have made Hong Kong’s governance—normally interesting only to those that live in the city—a topic of global concern.
By focusing on young singers, Opera Hong Kong’s summer semi-staged productions serve as one of the better crystal balls on Hong Kong’s operatic development. These late-August performances are the college basketball to the larger productions of the operatic NBA in the Spring and Fall, in which, if one is lucky, excitement and atmosphere can more…
Nicholas Gordon talks to Lindsay Varty, author of Sunset Survivors: Meet The People Who Are Keeping Hong Kong’s Traditional Industries Alive.

The cover of Somewhere Only We Know, Maurene Goo’s latest young adult novel, isn’t inordinately different from other contemporary romantic comedies: a young Asian woman is seated while a young Asian man leans into her back, only part of his face and an arm are visible. Yet the story is unusually set almost completely in…
Three poems from the recent collection by Kavita Jindal (the wind in the trees, 2019). Reprinted with permission.
Like millions of Indonesian female workers abroad, Mega Vristian, the author of “The Jade Bracelet”, works as a live-in maid, performing domestic and care work. Their labor is indispensable in the global/regional labor market, which is in need of cheap, young female workers. At work, they face various forms of exploitation. It is this experience…
Asian Review of Books editor Peter Gordon was named “Cavaliere dell’Ordine della Stella d’Italia” (“Knight of the Order of the Star of Italy”) at a ceremony in Hong Kong on 3 June.
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