Horace Yang, a downtrodden office worker haunted by failure, betrayal, and brutal imprisonment during the Cultural Revolution, has finally found a way to settle the score. Obsessed with revenge, he presses on to a confrontation that can only end in death.
The island of Sri Lanka resembles a teardrop, also the title of Sue Amos’s latest novel, set in 1953 when the country was still called Ceylon. Teardrop is a murder mystery that weaves in both folklore and the beauty of the island.
Seicho Matsumoto was one of Japan’s most celebrated mystery writers —with two dozen novels to his name from the late 1950s, at a time when Japan was rebuilding after the war until just before his death in 1992—but only in recent years his work has been translated into English. Point Zero, translated by Louise Heal Kawai, is one of his early novels. The story, set in 1958 and the first part of 1959, takes place mainly in Tokyo and the western port city of Kanazawa and is defined by both the hope of the new era and the agonies of war.
It’s the Australian Mystery Writers’ Festival and debut author Ernest Cunningham is one of the participating writers. Cunningham arrives at the festival—hosted on the Ghan, the famous train that goes from Darwin to Adelaide—following the publication of his memoir Everyone in My Family Has Killed Someone (also, the title of author Benjamin Stevenson’s novel that first introduces Cunningham) and is, having signed a six-figure advance, now stuck trying to find an idea for a novel.
Edogawa Rampo (or Ranpo) was one of the most prolific Japanese mystery and crime writers of a century or so ago, and his work has remained in the public eye, whether in Japanese film, manga, video games, or translations. Born Taro Hirai, in 1923 he made his literary debut under a pen name chosen in homage to his literary hero, Edgar Allan Poe. He went on to write dozens of novels, novellas and short stories.
Art imitating life, or is it the other way around? Sherlock Holmes is a fictional character so popular and ubiquitous in popular culture that he almost seems real; many, indeed, have thought him so. Samuel L Clements, by contrast, was a real man so flamboyant, omnipresent and iconic that he can seem almost fictional, a character far better known, of course, by an entirely fictional name: Mark Twain. Anuradha Kumar’s interleaving of fact and fiction in her recent “Bombay mystery”, The Kidnapping of Mark Twain, seems somehow fitting.
Four people at a Hyderabad newspaper publishing company drop dead from heart attacks on the same day. It’s not impossible that people could have heart attacks on the same day, but the timing seems suspicious to the police, namely the lead investigator, Assistant Commissioner of Police, Mona Ramteke. This is the lead-in of Aditya Sinha’s mystery, Death in the Deccan, a fun and quirky whodunnit that at times could also be used as a cardiology and toxicology primer.
Amid the scorching heat of August 1947, the Edo Tattoo Society hosts a spectacle that captivates the city: a competition to crown the person with the most exquisite body art. Held at a garden restaurant, their first post-War meeting draws a large crowd. Among the attendees is Kenzo Matsushita, recently returned from the war where he served as a military medic. He has only a passing curiosity about tattoos yet becomes completely swept up in the excitement of the evening.
During the 1910s, Hong Kong’s new Governor Francis Henry May seconded a delegation of Sikh police officers to Fiji. May had had a recent stint as Governor of Fiji and before that Captain Superintendent of the Hong Kong Police Force. He felt that Hong Kong’s police force could teach Fiji a thing or two. While it was by no means unusual for the British to employ Sikh policemen in their imperial possessions, Fiji differed in that it already had a population of Indian indentured servants who worked the sugarcane fields on a contract for five years.
On 29 September 1985, four men arrive at the Mill House, located deep in the mountains of Okayama prefecture, for their annual visit, but the weekend quickly spirals into a sinister nightmare: two bodies are discovered, a guest goes missing, and a valuable painting disappears. Exactly one year later, the remaining guests gather again, hoping to put the past behind them. However, with the approach of a typhoon and the arrival of an unexpected visitor, an eerie sense of foreboding returns.
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