Bali 1952: Through the Lens of Liu Kang documents a seven-week trip to Java and Bali in 1952 by four China-born and Shanghai-trained Singapore artists—Chen Wen Hsi, Chen Chong Swee, Cheong Soo Pieng and Liu Kang—to sketch and paint tropical beauty.
Southeast Asia
Ma Thanegi’s roots are deeply planted in Myanmar. She’s the great-niece of a noble scoundrel who once ornamented the court of King Thibaw, her country’s last king, and the great-granddaughter of one of the last queen’s ladies-in-waiting. The daughter of a sophisticated, mercurial intellectual and the brilliant, tempestuous beauty who was his wife, Ma Thanegi has spent her life in Myanmar with the ambition of revealing its beauties and virtues to the rest of the world. She’s achieved her goal through her writing, with six books written in English and published internationally, but until now her own story has been told only in fragments.
It started as a British experiment in 1933: Could the Malays form an effective modern fighting force? From an experimental company of 25 raw recruits, within 10 years the regiment created legendary heroes in their gallant last stand against the Japanese in Singapore, February 1942.
From 1976 to 1989, Hai Fan was part of the guerrilla forces of the Malayan Communist Party. These short stories are inspired by his experiences during his thirteen years in the rainforest.
A collection of 49 poems of varying forms, from scattered verses to prose poetry, Primordial is more than the sum of its parts. Mai Der Vang, equipped with the eloquence and talent for crafting vivid imagery that had made her previous collection a finalist for the Pulitzer Prize, brings together the overlaying experiences of the Hmong people, ravaged and displaced by war, and of the elusive, ethereal, endangered saola, a rare species of bovine with a pair of long sword-like horns that only came to be known and classified in scientific terms in 1992.
A dynamic and interactionist multiplex order existed in the classical eastern Indian Ocean corresponding with modern Southeast Asia (~1st—15th centuries CE). This regional order was not the product of superior Chinese imperial/material power, or some essentialist version of the tributary system. Nor did Indic ideas spread “naturally” into an ideational vacuum in Southeast Asia. This order was in fact an outcome of Southeast Asia’s active agency in fostering connectivity with Chinese and Indian polities, and the consequent material and ideational interactions that ensued. The multiplex order in the eastern Indian Ocean was a highly robust and resilient order that lasted for centuries even in the absence of a grand design. It did not depend exclusively on any single polity, not even imperial China.
Had the eminent physicist Ernest Rutherford actually once said that “all science is either physics or stamp collecting”, he might have botany in mind, a discipline the very basis of which is collecting and labelling plants according to strict taxonomies. In her (perhaps aptly entitled) new book, Unmaking Botany, Kathleen C Gutierrez sets about describing not just the history of botany in the Philippines but how the practice of it intersected with the imperial projects of Spain and the United States.
Akha Ghanr is, for Akha communities, a “highly pragmatic system of customary law encompassing an entire way of life”, or it could be better described as “Ancestral ways”, acknowledging the role and leadership of their ancestors, something that is central to Akha identity and culture. How it has changed over time is the subject of Micah F Morton’s new book, Enchanted Modernities which explores the evolving role of Akha Ghanr within Akha societies across China, Laos, Myanmar, Thailand, and Vietnam. Akha Ghanr isn’t a religion in itself but rather an intricate set of ancestral cultural practices that shape Akha society. How Akha Ghanr has adapted to modernity and high rates of Christian conversion is a crucial part of this book, as is the role of neo-traditionalists seeking to both preserve Akha Ghanr and adapt it to the realities of modern life.
Kishore Mahbubani, longtime Singaporean diplomat and academic, opens his new memoir with a provocative line: “Blame it on the damn British.” Kishore, who later served as Singapore’s ambassador to the UN and founding dean of the Lee Kuan Yew School of Public Policy, was born to poor migrants in Singapore, studied philosophy on a government scholarship—and from there, somehow got roped into the foreign service.
Quite a lot of archaeological water, to say nothing of history writing, has flowed under the bridge since Early Southeast Asia’s first edition in 2014.
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