Behind or beside the great male spiritual leaders are great women, so we are told, although it is usually the case that their lives and deeds are often relegated to secondary importance by androcentric religious constructs put in place by those who come afterwards. For example, Jesus has two Marys (his mother and Magdalene), Muhammed has his principal wife Aisha bint Abu Bakr, and Buddha (Siddhartha) has Mahaprajapati. There are, however, many stories written about these women, and the often sparse historical records, if they exist at all, need to be fleshed out by these accounts, many of which, however, contain a great deal of  imaginative fiction as well as kernels of truth. They form what Garling herself  terms “a crazy quilt,” that is, numerous fragments based on what Tracy Cochran calls in her foreword “threads of instinct, intuition and common sense.” In the case of Mahaprajapati, we do not have even the kind of history which may be extracted, say, from the synoptic gospels, apocryphal writings (there is a Gospel of Mary Magdalene) or the various Islamic sources depicting Aisha as a scholar, judge and even military leader. 

Hilary Byrd is a depressed and disgruntled English librarian from Petts Wood in southeast London. Frustrated with the changes in his library over the past twenty years—digitalization and moms’ groups that take the focus away from print books and exacerbate his depression—he plans a trip overseas to clear his mind and to show himself and his sister, Wyn, who has become his de facto caregiver, that he can forge out on his own. India is relatively inexpensive, so Hilary chooses it on the basis of affordability. India also exudes a certain romanticism for travelers of a nostalgic disposition.

In 1995, twenty years after the formal end of the war, the United States and the Socialist Republic of Vietnam established diplomatic relations. The early 1990s marked a pivotal period for the country’s economy and politics, as well as on the diplomatic front, the improvement in relations among major powers: the normalization of relations with China came in 1991, and the accession to the ASEAN in the same year of the establishment of diplomatic ties with the USA. These political milestones brought forth changes in the economy for they also activated access for entrepreneurs, tourists, journalists and diplomats alike coming to Vietnam for various different purposes.

“100 poems by 100 poets”: compiled in the 13th century by the famed poet, Fujiwara no Teika, (1162–1241) the Hyakunin-isshu (百人一首) is the most widely-read poetry anthology in Japan. Long celebrated in the arts, including in a famous woodblock series by Hokusai, the anthology is part of the curriculum of all Japanese school children, much as students in England might study Shakespeare.

Shigeru Mizuki’s Tono Monogatari has a complicated lineage. During Japan’s rapid modernization in the early 20th century, a man named Kunio Yanagita set out to preserve Japan’s cultural heritage of magic and the supernatural. Along the way, he met a young writer, Kizen Sasaki. Together they traveled Japan’s Tono region, today about five hours northeast of Tokyo by train, recording folktales and evaluating whether they might be true. In 1910, Yanagita published a chronicle of his travels and the stories he collected: Tono Monogatari (“Tales of Tono”). Many Japanese regard Tono Monogatari as a defining text of Japanese folklore, a Japanese equivalent of the tales of the Brothers Grimm.

Graham Hutchings writes in his new book China 1949 that “historians have often used a single year as a prism through which to view key changes that are said to have shaped an era”. He goes on to observe (somewhat counterintuitively) that of the years of China’s Civil War from 1945 to 1949, “… the year 1949 seems to have been singled out less often as decisive …” Hutchings seeks to balance the scales of history and to establish 1949 as such a prism.