Cai Feng is a twenty-two year-old studying for China’s university entrance exams after failing year after year since he first sat for the exams at the age of eighteen. Most of his high school classmates are graduating from university and starting professional jobs, yet Feng continues to disappoint his parents and their expectations for their only child.
Category Archive: Reviews
One would hardly know there had been a pandemic in 2020 if one went by auction results in the contemporary art market. According to the 2020 Global Contemporary Art Market report, the top 10 artists by turnover sold 1530 pieces for a total of almost a half-billion US$. While down a bit from 2019, the price index has hardly budged over the last five year; the 2020 result is all the more remarkable given that international auction houses had to postpone or cancel most of their plans for spring auctions.
There is an aphorism, reported to have been spoken by minister Yelu Chucai to Ogodei Khan, Chinggis Khan’s first successor: “You can conquer an empire on horseback, but you cannot govern it on horseback.” Writers on the Mongols are fond of this line, usually inserted when Mongols begin to set up administrations in the settled lands they have acquired control over. The line’s wisdom is rarely questioned: historians, after all, tend to be sedentary themselves, and invested in a written culture that presumes paperwork must be the basis of office. It is accepted as a truism that steppe nomads had to get down off their horses in order to learn from settled states how to run an empire.
Izumi Tanaka is a normal, Northern California teenager. She’s an average student and spends much of her free time at the local diner with her friends, a quartet they’ve dubbed the Asian Girl Gang, or AGG. In her final semester of high school, life as she knows it suddenly comes to a halt when she discovers that her long lost father—a man she has never met—is the Crown Prince of Japan.
Kokoro can’t bring herself to go to school anymore. She has been the victim of an intense bullying campaign that culminated in a destructive assault on her home; if the bullies find her, she is afraid they will drag her outside and kill her.
Kokoro is twelve years old.
As difficult as it may be now to imagine it, there was an Afghanistan at peace before the “forever wars” which now consume it. Nancy Lindisfarne-Tapper’s research among Piruzai Durrani Pashtun of Northern Afghanistan in the 1970s is a record of that other not-in-the-news Afghanistan.
Living along a border can be literally living on the edge, for borders are places of uncertainty where death, humiliation and misery can be all too common. As Suchitra Vijayan points out in her book Midnight’s Borders, this is where entire communities can become stigmatized as foreigners, illegals, smugglers and traitors.
Cassia and Momo have everything to look forward to in 1979. They are expecting their second child, China is healing from the trauma of the Cultural Revolution and Momo has applied to US graduate programs in physics with the hope of eventually bringing his family there for more opportunities. Momo’s main reason for uprooting the family is to help the couple’s first child, a daughter named Junie, born three years earlier without her lower legs and feet. As events unfold, these plans prove more difficult to execute than first imagined.
In children’s literature and in young adult fiction, food is often used to bridge cultures—“dumplings are the great social equaliser” says the protagonist in the YA novel The Surprising Power of a Good Dumpling as an example. And while food might be one of the easier entries into a culture, there are other ways too. Art, for example, which Singapore’s National Gallery does with success in its “Awesome Art” series.
Classically Russian in length and possibly ambition, Vladimir Gonik’s Orchestra, recently translated into English by Christopher Culver, might prove the sleeper of the year. Three interlocking narratives and families play out over almost 40 years with the doomed Korean Air Lines flight 007 as the linchpin.
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