It is easy to forget, in the linear narrative of the British Raj leading to an independent India, that there were other, albeit much smaller, bits that hung on as colonies of other European countries (let’s not call them “powers”) for some time longer. One of these, the most venerable, dating back almost five centuries…
Oman and the connected history of Zanzibar is something those of us of a certain age (and especially those of us who used to collect stamps) perhaps knew to at least some extent, but then (also perhaps) largely forgot as the Arabian Peninsula rearranged itself around the ever-increasing political and economic clout of Saudi Arabia…
Travelers to Turkey often return with a ceramic plate or tile as a souvenir of their sojourn, many of these have designs based on or inspired by the ceramics from Iznik (the ancient Nicaea, across the Marmara from Istanbul), a major center of production between the 15th and 17th centuries, a history probably unknown to…
The winner of Musica Viva’s 2018 inaugural Hong Kong International Operatic Singing Competition, Norwegian soprano Margrethe Fredheim, joined third place and audience prize winner, Chinese soprano Chen Yibao, in a return concert 17 June 2023 headlined by renowned Korean soprano Sumi Jo, who had been one of the competition’s judges.
Despite a slow drip of new writers, Filipino fiction remains relatively thin on the ground, at least from publishers with wide distribution, and at least when compared to writers from such other countries in the region as Japan and Korea. With his debut novel Forgiving Imelda Marcos, Nathan Go joins a club which, while small,…
Latin America is home to a large East Asian diaspora, the result of much the same forces that created the not dissimilar diaspora in North America; the authors arising in that other diaspora, however, write in Spanish (and perhaps Portuguese, depending on how one defines things) rather than English. Very few of these works end…
The first half of May was been a busy fortnight for opera in the Greater Bay Area. The renowned Chinese soprano He Hui sang her first Wagner role, Senta in Der fliegende Holländer, at the Guangzhou Opera House on 5 and 7 May, a dramatic move (literally and figuratively) away from the Verdi and Puccini…
There is nothing, really, in the title of Fortune’s Bazaar: The Making of Hong Kong to indicate that Vaudine England’s new history centers neither the British colonialists nor the (to a greater or less extent) native Chinese, but rather everyone else—Parsis, Armenians, Baghdadi Jews, Portuguese and Macanese and, in particular, “Eurasians” (a term which merits…
Il trovatore, Opera Hong Kong’s second production of the year so far, opened with a star-studded cast featuring soprano Martina Serafin as Leonora, tenor Marco Berti as the troubadour Manrico, baritone Simone Piazzola as the villainous Conte di Luna and mezzo-soprano Marianne Cornetti as Azucena, all performing in a simple yet elegant revolving set.
Sometimes one ends up reviewing the book one read rather than the one that was written. Lin Zhang’s The Labor of Reinvention: Entrepreneurship in the New Chinese Digital Economy is more sociology than tech, more labor theory than business. But it is also a granular, grass-roots, bottom-up view of the past couple of decades of…
There is a general consensus that in 1820, China had the world’s largest economy. By the end of the century, it was suffering from an existential crisis. Much ink, scholarly and otherwise, has been spilled as to what went “wrong” and why; somewhat less common are discussions as to how China came to terms with…
While the first two books in Ahmet Altan’s “Ottoman Quartet”, Like a Sword Wound and Love in the Days of Rebellion, could be read as stand-alone novels, the third installment, Dying is Easier than Loving, requires familiarity with the story that came before.
Thailand remains under-represented in English-language fiction, contemporary or otherwise; little has been translated and only a little more has been published by authors who can claim roots in the country. Mai Nardone is a Thai-American writer who, while represented in such mainstream publications as Granta, McSweeney’s and Ploughshares, was raised and lives in Bangkok: any…
While perhaps not immediately obvious, the appeal of George Frideric Handel’s Giulio Cesare as an Academy production becomes clear once the production is underway.
Philip Snow opens his engaging, and refreshingly straightforward, history of Sino-Russian relations with an observation born out ever more frequently in the opinion pages of current (at least English-language) newspapers: “Ever since they emerged from the rubble of the Second World War Western societies have looked with apprehension on either Russia, or China, or both.”…