“In the early summer of 1819, a British hunting party was heading through thick jungle near Aurangabad when the tiger they were tracking disappeared into the chasm of a deep ravine.” With that romantic and somewhat Indiana Jones-like opening, William Dalrymple begins his Foreword to this new and updated edition of Benoy K Behl’s classic…
Pierangelo Valtinoni is a contemporary Italian composer best-known, among other things, for his operas for children. The Snow Queen (La regina delle nevi), originally commissioned by the Komische Oper Berlin, was given its Asian debut (in English translation) at Hong Kong’s Shatin Town Hall 14-15 October.
Oksana Dyka brought a powerful voice and stage presence to Opera Hong Kong’s new production of Puccini’s one full-length foray into melodrama which runs through 15 October at the Hong Kong Cultural Centre.
The railroads, San Francisco Chinatown, the Chinese Exclusion Act, laundries, restaurants: just when you thought there was nothing more to be written about the story of Chinese immigration to America, along comes Hugo Wong with an absorbing account of his families’ history in Mexico. Wong is a scion of two of Mexico’s erstwhile most important…
Although the stories in Paul Yoon’s latest collection range from northern Vermont and the Costa Brava to the Russian Far East, and chronologically from 17th-century Japan to more less the present day, with stops along the way in Tsarist Russia and the Cold War, they all feature protagonists who are Korean in one way or…
If one thought, as I admit I did, that a book with “Silk” and “History” in its title would be (yet another) about China and the Silk Road, one will soon be disabused. Aarathi Prasad, a biologist and science writer, opens with the Lepidoptera floors at London’s Natural History museum. Silk, argues Prasad, has a…
It is appropriate (and perhaps not entirely coincidental) that John Zubrzycki’s Dethroned: The Downfall of India’s Princely States—the story of how India came to be a unitary state rather than a patchwork of autonomous if not independent polities—appears during India’s 75 anniversary.
Given the opera’s relative rarity, Musica Viva’s recent production of Wolfgang Amadeus Mozart’s La finta giardiniera must surely have been a premiere of some sort.
In Kerry Brown’s several decades of working in and observing China, he has developed a reputation as one of the more sober and thoughtful observers of the country. For those who value logic and epistemology over rhetoric, Brown’s latest (brief) book won’t disappoint.
When they meet, more like run into each other, on the Trans-Siberian just past Krasnoyarsk, Aliocha and Hélène are both trying to escape: he from the draft, she from a boyfriend. Aliocha, hardly more than a boy, is in a group of conscripts being sent to camp in Siberia; intending to desert, he tries and…
It is next to impossible to review a Thames & Hudson book with remarking on the general excellence of the photographic illustrations. Islamic Architecture: A World History is no exception with several hundred photographs from, as the subtitle promises, around the world.
It is easy to forget, in the linear narrative of the British Raj leading to an independent India, that there were other, albeit much smaller, bits that hung on as colonies of other European countries (let’s not call them “powers”) for some time longer. One of these, the most venerable, dating back almost five centuries…
Oman and the connected history of Zanzibar is something those of us of a certain age (and especially those of us who used to collect stamps) perhaps knew to at least some extent, but then (also perhaps) largely forgot as the Arabian Peninsula rearranged itself around the ever-increasing political and economic clout of Saudi Arabia…
Travelers to Turkey often return with a ceramic plate or tile as a souvenir of their sojourn, many of these have designs based on or inspired by the ceramics from Iznik (the ancient Nicaea, across the Marmara from Istanbul), a major center of production between the 15th and 17th centuries, a history probably unknown to…
The winner of Musica Viva’s 2018 inaugural Hong Kong International Operatic Singing Competition, Norwegian soprano Margrethe Fredheim, joined third place and audience prize winner, Chinese soprano Chen Yibao, in a return concert 17 June 2023 headlined by renowned Korean soprano Sumi Jo, who had been one of the competition’s judges.