There is nothing, really, in the title of Fortune’s Bazaar: The Making of Hong Kong to indicate that Vaudine England’s new history centers neither the British colonialists nor the (to a greater or less extent) native Chinese, but rather everyone else—Parsis, Armenians, Baghdadi Jews, Portuguese and Macanese and, in particular, “Eurasians” (a term which merits…
Il trovatore, Opera Hong Kong’s second production of the year so far, opened with a star-studded cast featuring soprano Martina Serafin as Leonora, tenor Marco Berti as the troubadour Manrico, baritone Simone Piazzola as the villainous Conte di Luna and mezzo-soprano Marianne Cornetti as Azucena, all performing in a simple yet elegant revolving set.
Sometimes one ends up reviewing the book one read rather than the one that was written. Lin Zhang’s The Labor of Reinvention: Entrepreneurship in the New Chinese Digital Economy is more sociology than tech, more labor theory than business. But it is also a granular, grass-roots, bottom-up view of the past couple of decades of…
There is a general consensus that in 1820, China had the world’s largest economy. By the end of the century, it was suffering from an existential crisis. Much ink, scholarly and otherwise, has been spilled as to what went “wrong” and why; somewhat less common are discussions as to how China came to terms with…
While the first two books in Ahmet Altan’s “Ottoman Quartet”, Like a Sword Wound and Love in the Days of Rebellion, could be read as stand-alone novels, the third installment, Dying is Easier than Loving, requires familiarity with the story that came before.
Thailand remains under-represented in English-language fiction, contemporary or otherwise; little has been translated and only a little more has been published by authors who can claim roots in the country. Mai Nardone is a Thai-American writer who, while represented in such mainstream publications as Granta, McSweeney’s and Ploughshares, was raised and lives in Bangkok: any…
While perhaps not immediately obvious, the appeal of George Frideric Handel’s Giulio Cesare as an Academy production becomes clear once the production is underway.
Philip Snow opens his engaging, and refreshingly straightforward, history of Sino-Russian relations with an observation born out ever more frequently in the opinion pages of current (at least English-language) newspapers: “Ever since they emerged from the rubble of the Second World War Western societies have looked with apprehension on either Russia, or China, or both.”…
Half a year on from the publication of India: A History in Objects, the British Museum and Thames & Hudson have released a new volume of the same vibrant format on Southeast Asia, an endeavor at least as ambitious as that for the Subcontinent: “it is hardly possible to be comprehensive,” as Alexandra Green modestly…
Banine’s Parisian Days picks up from where from where Days in the Caucasus leaves off: with the still very young woman pulling into the Gare de Lyon having the escaped the clutches of her besotted yet unwanted husband—the result of a deal to get her father out of jail, out of Bolshevik Baku and out…
It’s perhaps best to start by noting that the title of Xin Wen’s new study, The King’s Road: Diplomacy and the Remaking of the Silk Road, is considerably more expansive than the book itself, which restricts itself to the late first millennium (ca 850-1000 CE) and is centered on Dunhuang; Khotan is as far as…
It helps to come to Islands & Cultures—a collection of essays focusing largely if not exclusively, as goes the subtitle, on “sustainability”—with at least some background on Polynesia, not because such background is necessary to follow the arguments in the various papers, but because otherwise one will be spending a great deal of time on…
Perhaps no place epitomizes Faulkner’s oft-quoted maxim that “the past is never dead” more than Jerusalem. And there are few other places where there is so little agreement about what the past was, or is. John D Hosler takes a particular slice through this history by focusing on “conquest: those ‘falls’, or moments from the…
Opera Hong Kong’s La bohème was originally scheduled for last May, but was bumped off the schedule by the tail-end of a Covid surge. The delayed production was well worth waiting for.
A half-century and more ago, when I was growing up, there was a comic book series in the United States called “Classics Illustrated” which retold novels, myths and—my own favorites—history in a format normally reserved for Spiderman. These were probably not the most accurate introductions to Marco Polo or Caesar, but they stirred the imagination.