Perhaps no place epitomizes Faulkner’s oft-quoted maxim that “the past is never dead” more than Jerusalem. And there are few other places where there is so little agreement about what the past was, or is. John D Hosler takes a particular slice through this history by focusing on “conquest: those ‘falls’, or moments from the…
Opera Hong Kong’s La bohème was originally scheduled for last May, but was bumped off the schedule by the tail-end of a Covid surge. The delayed production was well worth waiting for.
A half-century and more ago, when I was growing up, there was a comic book series in the United States called “Classics Illustrated” which retold novels, myths and—my own favorites—history in a format normally reserved for Spiderman. These were probably not the most accurate introductions to Marco Polo or Caesar, but they stirred the imagination.
Amado V Hernandez’s The Preying Birds (Mga Ibong Mandaragit, first published in 1969) is a classic of modern Filipino literature and, according to translator Danton Remoto, a required text in Filipino schools. That it is only just now appearing in an international English-language edition is something of a surprise.
Development came to Macau relatively late and the city is therefore reasonably well-preserved by East Asian standards. But much, inevitably, has nevertheless been lost, as any perusal of old photographs immediately indicates. Photojournalist Gonçalo Lobo Pinheiro spent a year collecting old photos and then tried to match them to present-day Macau. The result is an…
Cold and rainy England and Scotland exerted what now seems a surprisingly strong pull on Italian opera composers of the first part of the 19th century. Gaetano Donizetti alone had a string of four operas about the Tudors, starting with Elisabetta al castello di Kenilworth and quickly followed by Anna Bolena, Maria Stuarda and finally…
Whether Jeremy Tiang chooses the books to translate or the books choose him, his name on the cover nigh guarantees that the novel is extremely good, remarkable or, in the case of Zhang Yueran’s Cocoon, a triumph.
A perusal of the bios of the contributors provides the first indication that Tropical Silk Road is not a typical collection of academic papers. In addition to the professors and researchers one might expect, the list also includes Sabrina Felipe, an independent investigative reporter; Paúl Ghaitai Males, “born in the Indigenous community of Compañía-Otavalo and…
The world would likely be a better place if there were more people like Jeff Fearnside in it. Ships in the Desert is a collection of essays based on and informed by four years that Fearnside spent in, mostly Kazakhstan early in the century, first as a teacher for the Peace Corps and later managing…
In his heyday in the years after World War Two, Italian-American composer Gian Carlo Menotti was arguably one of the most successful and popular opera composers of the time. He took advantage of the circumstances, writing works that could be performed both on the opera stage and Broadway. His “Christmas opera”, Amahl and the Night…
The pursuit of meritocracy has proven a sort of holy grail for many policymakers and social-planners, perhaps nowhere more so than in Asia, where it can be explicitly invoked as the way to catch up with and even leapfrog the West. The cleverly-entitled Making Meritocracy is a collection of scholarly essays investigating the past and…
It helps to be reminded from time to time that literature, all other objectives aside, is at bottom storytelling. And Turkish Nobel Prize-winning author Orhan Pamuk’s latest novel Nights of Plague is storytelling so luxuriant that one cannot help but soak in it.
Opera in Hong Kong is back. Of course, it never quite went away, but after intermittent cancellations of major productions as recently as this spring, Opera Hong Kong’s fall production is a gloriously defiant La Traviata.
For a book that is fundamentally about hope, Philippe Sands’s The Last Colony is a depressing read, not just its in its tale of colonial injustice, but also in its recounting of the US and Britain’s refusal to abide by the norms, the “rules-based order”, that they demand of others. “One rule for you, another…
Zheng Xiaoqiong has come to be known as a “migrant worker poet”, accurate in the sense she is, or has been, both, and that a great deal of her work is informed by the life and hardships endured by Chinese migrant factory workers.