Eleven-year-old Samira wants to show her family and the world what she can do: she can learn to read English, she can contribute to her family’s earnings and she can learn to surf. Forced to flee their village in Burma, Samira, her father, mother and older brother are Rohingya refugees living in Cox’s Bazar. Rukhsanna Guidroz’s Samira Surfs tells Samira’s story as the family rebuilds their lives in Bangladesh.
In the early eighteenth century, the noblewoman Ōgimachi Machiko composed a memoir of Yanagisawa Yoshiyasu, the powerful samurai for whom she had served as a concubine for twenty years. Machiko assisted Yoshiyasu in his ascent to the rank of chief adjutant to the Tokugawa shogun. She kept him in good graces with the imperial court, enabled him to study poetry with aristocratic teachers and have his compositions read by the retired emperor, and gave birth to two of his sons. Writing after Yoshiyasu’s retirement, she recalled it all—from the glittering formal visits of the shogun and his entourage to the passage of the seasons as seen from her apartments in the Yanagisawa mansion.
The question of how a state committed to Communism became the world’s biggest trading nation in markets dominated largely by capitalist countries, controlling industries and setting prices, has long been puzzling. Author Jason M Kelly, in Market Maoists, provides a sober, detailed account of the way modern China came to see that global trade could be a way to “fortify socialism … rather than degrade it.”
In the mid-1950s, strange symptoms swept through Minamata in Kyushu, the southernmost island in Japan. Fish died, cats became manic, and children started developing neurological issues like trouble speaking and walking. It all originated with the Chissa chemical factory and its waste disposal into the surrounding waters. Sean Michael Wilson and Akiko Shimojima’s comic, The Minamata Story: An EcoTragedy, tells the story of this disease, the stigma surrounding it, and the survivors who are still alive today.
Prepare to be annoyed, Mona Dash warns the reader on the first page of her debut collection of stories. Those expecting to find tales of saris and jasmine will be disappointed, she says. Instead, the reader should prepare for stories which have not been told before: the voices traditionally marginalized by those belonging to the powerful and the erudite.
Year in year out Spain produces 1,500 kilos of that delicate spice, saffron, sold wholesale for US$700 per 100 grams. Gourmets were puzzled a few years back when 1900 kilos of Spanish saffron hit the market. Food inspectors soon discovered that the yellow powder contained traces of the flavorless plant root, or worse, animal droppings. The huge increase in volume came from the diversion of Iranian saffron, whose sale is stifled by the American embargo, to Spain’s packagers. Along the way crooks put their fingers on the scale by adding the impurities. Similar scams were practiced by spice dealers in 13th-century Damascus, involving precious products like myrobalan, agarwood, ginger, indigo, musk, ambergris. “Wise up to these things,” exhorts the Book of Charlatans, this newly translated compendium of tricks, cheats and phony spells.
Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC.
Beh’s family was already in Canada when she was born. Her parents and two older siblings emigrated there from Afghanistan to escape war; Beh’s uncle, Kaka Farhad, had previously settled in British Columbia. Monster Child, Rahela Nayebzadah’s impressive new novel of immigration and family dysfunction, is told from the perspective of thirteen year-old Beh and her two teenage siblings, Alif and Shabnam.
A young boy in a blue sweater and red scarf holds his pocket money tightly, eager to purchase something for the first time. He wanders through a busy market, tempted by the sights and smells, by the books, the clocks and the toys on display.
Love makes for a great story, yet love stories are so much hogwash, especially those emerging from India via Bollywood. In Indian reality, love is all too often a scandal with grave consequences for lovers, consequences that arise out of a perception of love as “affairs” that bring dishonor to families’ prestige. Sunjeev Sahota goes deeper into this experience of love as a scandal in his new novel China Room, a story set in a remote village in Punjab of 1929 about a child bride who merely wants to know whom she is married for to, her mother-in-law, Mai, sends her sons to the wives only in the dark. But Mehar is audacious and she pays for it: her love is crushed by those who see the unfolding events—a case of mistaken identity, love and adultery—as an act of transgression.
You must be logged in to post a comment.