When Lee Yeongju burns out at work and leaves her husband, she finds solace in pursuing her childhood dream of opening a bookshop. Her goal is to bring joy to other readers in Seoul and to get back into reading, a pastime she enjoyed back in middle school before she got caught up in the competitiveness of high school, university, and the corporate world. Yeongju and her new friends learn to slow down, enjoy life outside the rat race, and allow themselves not to conform to societal expectations.
Korean
A sprawling, multigenerational epic, Hwang Sok-yong’s Mater 2-10 tells the story of a working-class Korean family and details their struggles against the tides of the 20th century, from the Japanese colonial era through the division of the Peninsula to South Korea’s economic boom. Their agitation for workers’ rights spans the generations, as does the unique ability of the family’s women to speak and affect events from beyond the grave, both of which define the family and mark the epochs of the story.
Jung-Myung Lee’s Painter of the Wind is set in Hanyang, as Seoul, the capital of the Joseon Dynasty in the late 18th century, was then known. The protagonists are fictionalized versions of Kim Hong-do and Shin Yun-bok, both real-life figures who are considered some of, if not the, finest painters of the Joseon Dynasty.
Greek Lessons by celebrated Korean author and Man Booker International Prize winner Han Kang is a brief, poetic, and intimate look into the lives of two people, each affected by a disability, both cleaved from society in their own way, yet progressively drawn together by their shared grief and nascent hope. The narration switches between the two, tracing their lives in a series of flashbacks or letters to loved ones that show how each progressively fell away from family and friends, either due to distance or death and divorce.
Western thinking has long been dominated by essence, by a preoccupation with that which dwells in itself and delimits itself from the other. By contrast, Far Eastern thought is centered not on essence but on absence. The difference between essence and absence is the difference between being and path, between dwelling and wandering.
Cheon Myeong-Kwan’s Whale is a sweeping epic mostly set in Pyeongdae, a remote mountain town that immediately evokes Macondo from Gabriel García Márquez’s similarly sprawling epic One Hundred Years of Solitude. Depicted with the same sort of dreamlike magical realism, Pyeongdae goes from a forgotten mountain hamlet to a booming railway city to a ghost town set against a fun, witty satire of Korea’s development from a Japanese colony to a prosperous independent republic.
A round-up of reviews of works in translation from Korean, including fiction, story collections, poetry and non-fiction. Click on the title for the review.
A moving work of exceptional scholarship, Gwangju Uprising: The Rebellion for Democracy in South Korea was commissioned in an era of rising fake news to combat false narratives that had become popular on the internet, not the least of which was the idea that the events of the Gwangju Uprising were sparked by North Korean spies and agents provocateurs.
The narrator of Kim Hye-jin’s Concerning My Daughter believes that “some things aren’t spoken out loud.” As she ages, she doesn’t want to discuss the lack of facilities willing to care for the elderly. And as a mother, she doesn’t want to talk about her adult daughter, who doesn’t have stable employment and is involved in a long-term relationship with a woman. She keeps quiet, ignoring the messiness of reality and guarding these thoughts in her head.
Set in a disturbing dystopia, Saha, Korean author Cho Nam-joo’s latest work following the wildly successful Kim Jiyoung, Born 1982, tells the story of the bottom rung of a dark society.
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