Riding to join the army in Armenia, Russia’s greatest poet Alexander Sergeievich Pushkin met a ox-cart heading in the opposite direction, carrying a plain box made of planks. “What are you carrying?” the poet asked the carters. “Griboedov”, came the answer. That was Pushkin’s last encounter with his friend, namesake, fellow playwright, diplomat, and now…
Endearingly referred to as “Mother Volga” in Russian, it is the longest river in Europe, flowing from forests to the steppes and marshlands of the Caspian Sea. In The Volga, Janet M Hartley pens a vivid, human-centered story of the great river standing at a crossroad of peoples and cultures. She explores and contextualizes its…
The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production.
The gold of the Scythians exploded into the world of museum goers when Leningrad’s Hermitage Museum sent these treasures touring to London and New York in 1975. An equally noteworthy exhibition, Masters of the Steppe, took place in 2017 at the British Museum. This copiously-illustrated volume enables readers to revisit that exhibition, and to ponder…
The Code of Civilization might at first seem to be another in the line of books which includes Francis Fukuyama’s The End of History and Samuel P Huntington’s The Clash of Civilizations that attempt an overarching view of world history with an aim to model the present and predict the future. This time, however, the…
The Blakiston’s fish owl is the world’s largest living species of owl, with larger females of the species weighing as much as ten pounds. It lives in the Russian Far East and Northern Japan. It is also endangered: global populations are estimated to be around 1500 owls in total.
Works of literature that feature the nomadic peoples of the Eurasian taiga are extremely rare; the only ones that immediately come to mind are The Last Quarter of the Moon by Chi Zijian, about Evenki along the Heilongjiang-Russian border, and the (true) story of Dersu Uzala, a Nanai introduced to the world in Vladimir K…
In Russia’s far east, meeting a person alone in the wilderness is usually a bad thing. Some recluses in this remote region might be criminals of one kind or another: those hiding from law enforcement or those hiding from other criminals. But when conservationist Jonathan C Slaght ran into a man with “a crazy look…
There can be a fun-house mirror quality to the history of Japan’s relations with Russia: the events are recognizable, but come with unexpected bulges and pinches.
The Sino-Russian relationship is often seen by the West (for which, read the USA) as a sort of counterpoint to Sino-American relations with Russia ready to step in when the US takes a step back. Sören Ubansky’s recent book is one of the periodic but salutary reminders that China and Russia’s mutual dealings are not…
Umm-El-Banine Assadoulaeff was born in 1905 into one of Baku’s wealthiest families: her peasant-born great-grandfather had discovered oil on his land. She left in 1923, after the Revolution, for Istanbul and then Paris, whence she never returned. Days in the Caucasus, originally published in Paris in 1945, is her memoir of those years.
Among all European countries, Russia’s relations with China are unique in that the two countries—empires for most of their relevant histories—shared a border. Trade between the two was, on the whole, carried out by caravan rather than ship; there were border garrisons a stone’s throw from each other. People and information transited the border along…
In the summer of 1924, Soviet playwright Sergei Tretyakov took up a one-year appointment as Professor of Russian at the University of Beijing. He returned with material that resulted in the 1926 play Roar, China!, based upon a historical incident in Wanhsien in which an American businessman drowned after an argument with a local boatman….
One has to be pretty dedicated to Russian literature to run across Alexander Grin (1880-1932). Nor, if this newly translated collection of (long) short stories is any indication, once one has found him, does Grin fit any expected mold.
Writers have, over the years, given many excuses for a trip to Siberia—tigers, stories, trains, shamanism, Jews, rivers, solitude, cycling—but the most unexpected must surely be “pianos”.