“Taiwanese Face, Chinese Masks: Yang Mu and His Postcolonial Poetry” by Wen-chi Li
This groundbreaking study examines the poetry of Yang Mu, a pivotal Taiwanese writer who used Chinese literary forms to challenge Sinocentric narratives during Taiwan’s White Terror and democratization. Drawing on postcolonial theory and close reading, it explores his poetic use of ambivalence, mimicry, and minor narrative to resist cultural hegemony and reclaim historical memory.











