2018: Chinese fiction in translation
Our reviews of Chinese fiction—novels and short story collections—in translation this year.
“The Underground Village” by Kang Kyeong-ae
This collection of short stories presents the grim reality of war-torn Manchuria in the 1930s. Despite the extreme poverty and brutality depicted, such is the skill of author Kang Kyeong-ae that her oppressed characters achieve a kind of nobility, at least in art if not in life.
“The Tale of Cho Ung: A Classic of Vengeance, Loyalty, and Romance”, translated by Sookja Cho
What do you do when you’re given a magic sword and a “dragon horse”? You sally out into the wicked world, of course, rescue maidens in distress, overthrow evil kings and chop off a great deal of heads while shouting over and over again variations of “Stretch out your neck and receive my sword!” However,…
“I’ll Go On” by Hwang Jungeun
This ultimately uplifting tale of perseverance in the face of love and loss begins in the suburbs of an unnamed city in contemporary South Korea. Tragedy strikes when the father of sisters Nana and Sora is killed in a factory accidents. The compensation money is sequestered by their relatives, forcing the now impoverished sisters and…
“The Blind Earthworm in the Labyrinth” by Veeraporn Nitiprapha
Some authors capture a time and place effortlessly. They draw upon aspects of popular culture and spin them into a literary tale that is more powerful and longer-lasting than the milieu from which they sprang. Veeraporn Nitiprapha is such a writer. But as her work has only appeared in Thai, she has been beyond the…
“Like a Sword Wound” by Ahmet Altan
Although set in an exotic late-Ottoman Istanbul, a city of harems, dervishes, veils and fezzes, Ahmet Altan’s Like a Sword Wound nevertheless reads like a familiar and recognizable Western European period classic.
“Little Reunions” by Eileen Chang
With its unvarnished look at infidelity, drug addiction, war, and fractured families in mid-20th century China along with a jarringly abrupt non-linear narrative and burly eight-page character list, Eileen Chang’s final novel Little Reunions is a difficult read.
“The Chilli Bean Paste Clan” by Yan Ge
Yan Ge’s The Chilli Bean Paste Clan should come with a warning on the cover: “contents may cause readers to break into a sweat and consume unhealthy amounts of Laoganma spicy chilli crisp.” The setting for this complicated and often humorous story of the Duan-Xue clan, a family consumed by resentments, betrayals, matriarchal machinations, and…
“Goodnight, Rose” by Chi Zijian
Chi Zijian’s novel The Last Quarter of the Moon was set among the Evenki reindeer-herders in remotest Heilongjiang. Her latest novel in English translation, Goodnight, Rose, has as its center the relationship between a Chinese country girl making her way in Harbin and an elderly Jewish woman who arrived, as did many, after the Russian…
New book announcement: “There’s No Poetry in a Typhoon: Vignettes from Journalism’s Front Lines” by Agnès Bun
“I saw my first dead body on November 9, 2013. He was five. He was lying in the rubble of a demolished church that had entombed eight of its faithful in Tacloban City, the ville-martyr of this impoverished region in the Philippines where a violent typhoon had hit only a day before.”
“The Deer and the Cauldron” by Louis Cha
Author Louis Cha, whose wuxia martial arts novels became Chinese cultural touchstones and who heralded an explosion of Hong Kong literary and media production, died 30 October. Though Cha leaves a legacy of massive sales in Asia, his books have not yet taken hold in the west. Efforts this year to expand his English readership,…
“Horsemen of the Sands” by Leonid Yuzefovich
The story of Roman Fyodorovich Ungern-Sternberg—“a Russian general, Baltic baron, Mongolian prince, and husband of a Chinese princess”—more or less writes itself. In his novella, Horsemen of the Sands, Russian writer Leonid Yuzefovich tells the story largely from the perspective of the Buryats—ethnic Mongols living in Russia—through the medium of a lost talisman.
New Book Announcement: “We Have Buried the Past” by ‘Abd al-karim Ghallab
This pioneering postcolonial work, originally published in 1966, was the first breakthrough Moroccan novel to be written in native Moroccan Arabic, rather than in French. Written after the country gained independence, the story follows the trajectory of two generations of al-Tihamis — a well-to-do family residing in Fez’s ancient medina — whose members characterize distinctive…
New book announcement: “A Shameful Life (Ningen Shikkaku)” by Osamu Dazai
Osamu Dazai is one of the most famous—and infamous—writers of 20th-century Japan. A Shameful Life (Ningen shikkaku) is his final published work and has become a bestselling classic for its depiction of the tortured struggle of a young man to survive in a world that he cannot comprehend.
“Mina” by Kim Sagwa
Kids these days: heads buried in their cellphones; obsessed with consumer goods, boyfriends and pop music; stressed by grades and peer pressure. Their parents don’t pay attention and give them too much money. They kill cats. And maybe other things…
