In Muscle Memory, Washington-based poet Jenny Liou grapples with violence and identity, beginning with the chain-link enclosure of the prizefighter’s cage and radiating outward into the diasporic sweep of Chinese American history.
High in the mountains of the Golden Triangle, where Thailand, Laos, and Myanmar once knew no boundaries, lives a rich multiplicity of traditional peoples. Prominent among them are the Karen, Hmong, Iu Mien, Lahu, Akha, and Lisu, six distinct groups who have maintained their independence, identity, and worldview to a high degree.
At the start of Sandeep Ray’s debut novel, A Flutter in the Colony, a young woman named Maloti is approaching George Town by ship as she and her young family arrive in Malaya to start anew. Maloti’s husband, a Mr Sengupta who goes only by “the young man” in the story, has found a job…
The Italian Cultural Institute Hong Kong’s production of Gaetano Donizetti’s Rita, originally performed at the 2020 Italia Mia Festival, has been adapted and reprised at the Guangzhou Opera House. Performed “in the round” and reset to emulate the Theatre’s own bar, the performance featured soprano Xing Xingyuan as Rita, tenor Lin Junliang as Beppe and…
The Spanish translation of The Silver Way: China, Spanish America and the Birth of Globalisation, 1565–1815—the story of the Manila Galleon—with a new introduction by Elvira Roca Barea: “It explains to us not only what it meant in the past but what it still means today to understand the present and even the future of…
Don Ascher is a young American living in Kyoto in the 1970s. He is a student of Japanese. He also teaches English, works at a shabu-shabu restaurant, and hangs out in the company of gangsters, hostesses, housewives, tea teachers, and fellow foreigners. Set amidst the timeless beauty of the ancient capital and its garish modern…
The US-based independent film scholar and movie critic specializing in Chinese cinema, Karen Ma’s most recent work takes the form of creative and inspiring interviews with 7 young Chinese film directors, revealing new trends that are not fully acknowledged in Western scholarship. Many balinghou (born in post-1980s) filmmakers are grassroots artists from smaller towns or…
Jacques Offenbach (1819-1880) is primarily represented in opera’s “standard repertory” by Les contes d’Hoffmann, but he made his name in operetta (opérette), a form which came into its own in mid-19th century Paris in large part due to Offenbach’s own contributions. Dating from 1873, Pomme d’Api is a one-act comic operetta from the latter part…
The samurai films of legendary Japanese director Akira Kurosawa are set in the past, but they tell us much about the present, as do his crime stories, romances, medical dramas, and arthouse films. His movies are beloved for their timeless protagonists and haunting vistas of old Japan, but we haven’t yet fully grasped everything they…
In 1956, the Senguptas travel from Calcutta to rural Malaya to start afresh. In their new hamlet of anonymity—a small settlement on the edge of a British rubber plantation—the couple gradually forget their troubled pasts and form new ties. But this second home is not entirely free and gentle. A complex, racially charged society, it…
From the acclaimed author of Little Gods, whose “gift merges science, politics and art: the kind of audacity our world needs now” (Gina Apostol), comes an immersive and electrifying story collection that explores self-construction, female resilience, and migrations both literal and transformative.
In Water Thicker Than Blood, poet and professor George Uba traces his life as a Japanese American born in the late 1940s, a period of insidious anti-Japanese racism, even following the wartime incarceration of 120,000 Japanese, two-thirds of whom were American-born citizens. His beautiful, impressionistic memoir chronicles how he, like many Sansei (and Nisei) across…
Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are…
Ethical Encounters is an exploration of the intersection of feminism, human rights, and memory to illuminate how visual practices of recollecting violent legacies in Bangladeshi cinema can conjure a global cinematic imagination for the advancement of humanity.