With the exception of Singapore and Malaysia, where English is relatively widely used, and with the further exception of so-called “expat fiction” featuring foreign protagonists, Southeast Asia seemingly generates fewer novels in English—whether in translation or written directly in the language—than other regions of South and East Asia. This situation has ameliorated somewhat in recent…
Danilo Cruz, the protagonist of Danton Remoto’s Riverrun, is a young Filipino man raised near an American army base. From the get-go, something about Danilo is different, and everyone in his village can make it out. Even as a young boy, going to watch television at a friend’s house, the mother responds by slamming the…
Graphic novels, which less generous souls might call comic books, rarely feature middle-aged women and certainly not as the main characters. Not until, that is, Yeong-shin Ma wrote Moms, a graphic novel based on his mother and her friends. First published in Korea in 2015, it’s now available in an English translation by Janet Hong,…
Angry women hold a special place in Japanese folklore. Many of Japan’s best-known tales are about “vengeful ghosts”, almost always women, who wreak havoc on the living for some perceived wrong.
Lucy Tosch regrets her decision to relocate to Okinawa even before she leaves the United States. She applies on a whim for a reporting job at a newspaper catering to the American community in Okinawa after Owen, her Japanese college boyfriend, suddenly ups and leaves without so mu ch as a by-your-leave. Sarah Z Sleeper’s…
Perumal Murugan’s Kazhimugham is an ugly novel. Ugly, that is, as Umberto Eco would have it: its subject is ugliness and it is a work that the author claims breaks the conventional rules of beauty.
Se-oh Yun—a reclusive young woman in her twenties—comes home to a fire in her apartment in which her father is badly injured. He dies shortly after the incident and the police are eager to close the case as a simple suicide motivated by her father’s debts. But Se-oh suspects foul play when she learns that…
Novelists are often admonished to “write what you know”; Christina Chiu instead decided to know what she wrote. The Asian-American writer now has a sideline as shoe designer, something she learned as an integral part of writing her most recent novel set in and around the fashion industry.
A Korean nonagenarian learns on the news that the last remaining “comfort woman” is on her deathbed. The narrator, unnamed until the end of the book, is determined to meet this last victim: she wants to know if she knew the woman from 70 years earlier. She also wants to assure her that she’s not…
The title of Anukrti Upadhyay’s new novel is a Japanese word that literally means “to join with gold”. It is the art of repairing things that are broken to create strong, beautiful fault lines. These lines remain as reminders of something that was vulnerable. The lines in Kintsugi are visible right at the beginning when…
An unnamed narrator addresses her lover: “I didn’t know your name when we first met. No one introduced us. The only thing I remember is that you were picking roadside elderflowers.” The relationship between the young Chinese narrator and “you”, the elderflower picker, progresses quickly and their relationship, from living on a houseboat to exploring…
Bestiary opens with a quest for lost gold. Agong, to whom the gold belongs, has no recollection of where he stashed the two bars. His family upturns the yard in pursuit of the misplaced treasure, first by digging holes, then with a metal detector.
Tragedy finds its ideal form when a good character is partially responsible for her own downfall, which should unfold with the slow and inexorable force of a moral sentencing. Or so said Aristotle. Likewise, an irresistible blend of pity, horror, and satisfaction emerges through each of Ha Seong-nan’s short stories in this new collection. Even…
Nancy Jooyoun Kim’s debut novel, The Last Story of Mina Lee, is a unique immigrant story that takes place in Los Angeles’s Koreatown. Kim traces not just the struggles of adapting to a new country but also the tragedies Mina leaves behind in Korea.
American Sarah Mullins, an erstwhile mousy brunette turned blue-eyed blonde, has just pulled off an obscure literary fraud, netting a suitcase of cash and needing a place to hide out, which is why Lawrence Osborne’s most recent novel opens in a luxury apartment in an upscale residential tower block in Bangkok known as “The Kingdom”.