2018: Chinese fiction in translation
Our reviews of Chinese fiction—novels and short story collections—in translation this year.

Our reviews of Chinese fiction—novels and short story collections—in translation this year.

This collection of short stories presents the grim reality of war-torn Manchuria in the 1930s. Despite the extreme poverty and brutality depicted, such is the skill of author Kang Kyeong-ae that her oppressed characters achieve a kind of nobility, at least in art if not in life.

What if Michelangelo had not, as history concurs he had, declined the Sultan’s invitation to come to Constantinople in 1506 to design a bridge over the Golden Horn? This is the conceit behind Mathias Énard’s new novel, or rather novella, Tell Them of Battles, Kings, and Elephants (a perhaps anachronistic borrowing from the preface of…

What do you do when you’re given a magic sword and a “dragon horse”? You sally out into the wicked world, of course, rescue maidens in distress, overthrow evil kings and chop off a great deal of heads while shouting over and over again variations of “Stretch out your neck and receive my sword!” However,…

Some of the most lasting consequences of war are displacement, refugees, and broken families. Eugenia Kim’s new and brilliant novel examines a family separated by not just one, but two wars.

This ultimately uplifting tale of perseverance in the face of love and loss begins in the suburbs of an unnamed city in contemporary South Korea. Tragedy strikes when the father of sisters Nana and Sora is killed in a factory accidents. The compensation money is sequestered by their relatives, forcing the now impoverished sisters and…

“I think we are stuck in someone else’s movie,” says co-protagonist Chiara Brasi early on in Insurrecto, telegraphing the framing device for Gina Apostol’s new novel. Chiara, filmmaker, daughter of an artsy filmmaker, daughter of an heiress, golden-haired devotee of Hermès bags and sunglasses, has come to the Philippines to research a movie. She needs…

Some authors capture a time and place effortlessly. They draw upon aspects of popular culture and spin them into a literary tale that is more powerful and longer-lasting than the milieu from which they sprang. Veeraporn Nitiprapha is such a writer. But as her work has only appeared in Thai, she has been beyond the…

Although set in an exotic late-Ottoman Istanbul, a city of harems, dervishes, veils and fezzes, Ahmet Altan’s Like a Sword Wound nevertheless reads like a familiar and recognizable Western European period classic.

With its unvarnished look at infidelity, drug addiction, war, and fractured families in mid-20th century China along with a jarringly abrupt non-linear narrative and burly eight-page character list, Eileen Chang’s final novel Little Reunions is a difficult read.

There are some cities that lend themselves to darkness and intrigue. Macau is one of these places. First settled by refugees fleeing the Mongol invasion in northern China, it became a fishing village and later a haven for pirates. The Portuguese arrived in the 1500s and built a slice of the baroque Mediterranean in South…

Yan Ge’s The Chilli Bean Paste Clan should come with a warning on the cover: “contents may cause readers to break into a sweat and consume unhealthy amounts of Laoganma spicy chilli crisp.” The setting for this complicated and often humorous story of the Duan-Xue clan, a family consumed by resentments, betrayals, matriarchal machinations, and…

Chi Zijian’s novel The Last Quarter of the Moon was set among the Evenki reindeer-herders in remotest Heilongjiang. Her latest novel in English translation, Goodnight, Rose, has as its center the relationship between a Chinese country girl making her way in Harbin and an elderly Jewish woman who arrived, as did many, after the Russian…

Author Louis Cha, whose wuxia martial arts novels became Chinese cultural touchstones and who heralded an explosion of Hong Kong literary and media production, died 30 October. Though Cha leaves a legacy of massive sales in Asia, his books have not yet taken hold in the west. Efforts this year to expand his English readership,…

The story of Roman Fyodorovich Ungern-Sternberg—“a Russian general, Baltic baron, Mongolian prince, and husband of a Chinese princess”—more or less writes itself. In his novella, Horsemen of the Sands, Russian writer Leonid Yuzefovich tells the story largely from the perspective of the Buryats—ethnic Mongols living in Russia—through the medium of a lost talisman.