For my generation, born after the “Renovation” reform of Đổi Mới in 1986, “The War”—as most Vietnamese call what almost everyone else calls the Vietnam War—only exists in history books.
As cities have increasingly become hitching posts for books, both fiction and non-fiction, Mumbai has naturally been subjected to thematic treatment. The city is celebrated for its resilience and its cosmopolitanism; tributes wax eloquent about its trains, its sea, its heritage buildings, or the diverse communities that inhabit it, to the point that its greatness…
For some men, getting to know a woman isn’t quite what it seems. In this quirky collection of stories by Xu Xu, we can read about a man who dates a would-be ghost, another takes up with a supposedly mentally-challenged girl who has conversations with birds and eventually becomes a Buddhist nun, a third hooks…
What brings a city to life in fiction? Written by expat writers in South Korea, the stories in A City of Han lead the reader past the opulent towers and neon-lit facades towards lonely apartment buildings and small alleyways hidden away from view. Each show an excellent command of the short story form and much…
The Jane Austen wordplay in the title of Karen Tei Yamashita’s Sansei and Sensibility really only comes into its own in the second half of her new collection of stories. The whole collection itself centers around sansei, or third generation Japanese-Americans (“san” meaning “three”).
In the newly-translated I Live in the Slums, her first collection of short stories in a decade, Chinese writer Can Xue invites us on a bizarre, at times whimsical, dark and unclassifiable journey exploring the terrain of and interaction with China’s urban geography. She keeps with her unique unconventional voice, as is best known in…
Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century.
Comma Press’s “city anthology” series of short fiction (often in translation) has reached Shanghai. Besides the setting, these stories all follow a common theme, whether intentional or not, of loneliness and isolation.
Souvankham Thammavongsa has come a long way from Nong Khai refugee camp in Thailand in which she was born in 1978. Her family, originally from Laos, were able to settle in Canada when she was a year old.
The world is perhaps changing when translations from Chinese feature as the first volume in a series of just about anything. Two Lines Press, an independent publisher based in San Francisco, has recently launched the Calico Series of translated literature. “Each Calico is a vibrant snapshot that explores one aspect of the present moment, offering…
At first glance, the only thing linking the stories in Rebecca Otowa’s new book, The Mad Kyoto Shoe Swapper, is that they all take place in Japan. Yet although they span 17th-century Edo to the present day, two themes recur in most: women’s hardships and the fears of ageing. It quickly becomes clear how, in…
From the unique standpoint of an American woman who married into a Japanese family and has lived in Japan for more than thirty years, Rebecca Otowa weaves enchanting tales of her adopted home that portray the perspective of both the Japanese and the foreigner on the universal issues that face us all—love, work, marriage, death,…
One has to be pretty dedicated to Russian literature to run across Alexander Grin (1880-1932). Nor, if this newly translated collection of (long) short stories is any indication, once one has found him, does Grin fit any expected mold.
Karine Khodikyan is one of Armenia’s foremost writers, with a body of work encompassing plays, film and TV scripts, fiction, and journalism. Armenian literature, like others of the Caucasus, is surely under-represented in the English-speaking world, but now Khodikyan’s collection of short fiction, The Door Was Open, has—via Nazareth Seferian’s smooth translation—been made available in…
Surrealism is something of an outlier in mainstream English fiction, yet it seems to crop up with some frequency in contemporary Chinese-language literature, at least in those works that find themselves in English-translation. This penchant for surrealism can seem even more pronounced, or perhaps concentrated, in the wider Chinese world and diaspora: Dorothy Tse, Hon…